Showing posts with label Paul Giamatti. Show all posts
Showing posts with label Paul Giamatti. Show all posts

Tuesday, March 8, 2016

Straight Outta Compton Movie Review




I fail to see what all the fuss and accolades toward Straight Outta Compton is about. Yes, it’s a good movie, well written and acted with a cast of mostly unknown and inexperienced actors. But as a musical biopic, what does it really bring to the table that hasn’t been done countless times before?

The story of the rise of the rap group N.W.A. from a group of friends making music together to a national voice for the powerless inner city black youths in America and FBI pariah is certainly not uninteresting. We’ve all heard of Dr. Dre and Ice Cube. This is where they got their start. Eric “Easy-E” Wright died twenty years ago while DJ Yella and MC Wren are the lesser known members of the group. That Dre and Cube worked as producers on the project should not go unmentioned because it’s pretty clear in the film’s narrative which characters are highlighted most prominently. It’s also worth pointing out that their characters come off as the most morally upstanding while Eric Wright, no longer alive to defend himself, comes across (in spite of a lovely redemption at the end) as the instigator of strife within the group.

Saturday, December 28, 2013

Saving Mr. Banks Movie Review

The Walt Disney Company truly exists now to perpetuate its own myths. They include, but are not limited to, the idea that Walt Disney was the greatest human being who ever lived and was devoted exclusively to making people smile, and that a good wholesome family entertainment can solve most of life’s problems, often with a saccharine song and dance number. Saving Mr. Banks proposes some mythology of its own about the origins of P.L. Travers’ series of Mary Poppins books and the way Uncle Walt convinced her to sign over the rights.

Thursday, October 27, 2011

The Ides of March Movie Review

The Ides of March, a political drama written and directed by George Clooney arrives just as many people in the country are beginning to wonder if President Obama is capable of sticking to the principals he lauded in his campaign or if he is no different than any other politician, making compromise after compromise for political expediency without regard for the values he claims to uphold. That the movie’s subject matter fits snugly into the current political landscape is a bit serendipitous, being based on a play originally produced before Barack Obama was elected to the Presidency.

Thursday, April 7, 2011

Barney's Version Movie Review: Jewish Angst in Montreal

Paul Giamatti is an actor who throws himself into his roles, becoming completely absorbed by his characters. Without the looks and stature of a traditional leading man, he has built an impressive resume of characters including John Adams in the eponymous HBO mini-series and has been ruefully passed over for a Best Actor Oscar nomination twice. No, make that three times now.

In Barney’s Version he plays Barney Parnofsky, a television producer and faux intellectual from Montreal who recalls the past decades of his life after the release of an incriminating book by a retired detective that implicates him in a 20 year old missing persons case. It’s little surprise that Giamatti and the film missed out on the Oscar season (with the exception of a nod for makeup) because it was barely marketed, had no wide release until earlier this year and simply wasn’t put on the radar of enough Academy members. That’s a real shame because despite the film’s flaws, and they are many, it is more than deserving of both audience and critical attention.

Wednesday, June 16, 2010

The Last Station Movie Review

Michael Hoffman has directed several films of average quality and The Last Station, written by Hoffman from the novel by Jay Parini, fits right in with his other work which includes such forgettable titles as The Emperor’s Club and Restoration. You’re forgiven if you have little to no memory of these films from 2002 and 1995, respectively.

The Last Station, released last year, earned two Oscar nominations for its stars Helen Mirren and Christopher Plummer. They play Sophia and Leo Tolstoy in the early 20th century, before the Bolshevik Revolution altered Russia forever.Leo, or Lev, as he is lovingly called by family and friends, is nearing the end of his life and is set on establishing his overarching philosophy of socialism, hoping to pass his beliefs on to the next generation.

Wednesday, May 19, 2010

Movie List: Contemporary Screen Actors Very Much Deserving of an Oscar

Winning an Academy Award takes a kind of perfect storm confluence of events.

It's not just talent that will get you there. Just look at Al Pacino, who suffered 7 losses (including monumental performances in classic films such as The Godfather, Serpico and Dog Day Afternoon) before finally taking the prize for Scent of a Woman, the least deserving of all his nominated performances. Many people say the same for Paul Newman who finally won for The Color of Money.

Certainly talent plays a big part, but it's also necessary to have the right role. Most people recognize that certain roles are juicier than others, thus garnering more attention and awards. The key types include biographical characters, preferably heroic in some way (George C. Scott and Ben Kingsley); disabled (mentally or physically) individuals (Tom Hanks and Geoffrey Rush, among many others); going ugly or playing against type (Charlize Theron and Denzel Washington).

It also helps to be a fairly well-established actor to win the award. It is more common for women to win the Oscar for debut or early career performances than for men, but still, the vast majority of winners, particularly in the lead categories, are well-liked Hollywood actors.

Everything I Saw in the 2nd Half of 2025

30 Dec. Hamnet (2025) [cinema]* 28 Dec. #4133 Song Sung Blue (2025) [cinema] 25 Dec. #4132 Marty Supreme (2025) [cinema] 16 Dec. #4131...