Epic Movie Review

One of the better (as in just above average) offerings in this last weak year for American animated features is Epic. It’s a largely derivative eco-conscious storyline that brings to mind Avatar by way of Ferngully with a touch of Alice in Wonderland. The characters aren’t entirely memorable, but there’s enough here that’s commendable that it’s not worth dismissing. How’s that for faint praise?

Saving Mr. Banks Movie Review

The Walt Disney Company truly exists now to perpetuate its own myths. They include, but are not limited to, the idea that Walt Disney was the greatest human being who ever lived and was devoted exclusively to making people smile, and that a good wholesome family entertainment can solve most of life’s problems, often with a saccharine song and dance number. Saving Mr. Banks proposes some mythology of its own about the origins of P.L. Travers’ series of Mary Poppins books and the way Uncle Walt convinced her to sign over the rights.

Seven Psychopaths Movie Review

What is it with filmmakers who start out with some quirky little movie that gets a lot of recognition for its panache, or great writing, or great storytelling and then they’re given a big budget and bunch of movie stars and things just seem to run away from them? Martin McDonagh started out with In Bruges, which signaled the start of a promising career in the gangster/hitman genre, the kind of talky pictures about wretched individuals who nevertheless epitomize cool made famous by Quentin Tarantino. Seven Psychopaths is his second feature film, an absurd farce of a story about an Irish screenwriter named Marty (autobiographical much?) trying to write a movie called Seven Psychopaths (self-referential much?).

Miami Vice Movie Review

If there’s been a common theme running through the films of Michael Mann it’s been the presence of hard-working men determined and expert in their professions. Think about Russell Crow and Al Pacino in The Insider, Pacino and Robert De Niro in Heat – the cop and the criminal – two sides of the same coin facing off against one another. “Miami  Vice,” the hit TV series for which Mann served as executive producer, though a bit lighter and more freewheeling than his feature films, contains the initial germinating seeds of the same theme. These seeds are brought to fruition in Mann’s feature film update of that same series, this time with a hot new cast including Colin Farrell and Jamie Foxx.

Horrible Bosses Movie Review

I thought for sure while watching Horrible Bosses that Charlie Day was the next Zach Galifianakis – a little-known actor who lands a breakthrough role in a smart comedy, stealing just about every scene. Then I learn he has starred in “It’s Always Sunny in Philadelphia” for six seasons and “Third Watch” before that. Okay, so I’ve been living out of the country for a long time and I’d never heard of the guy. But man is he fantastic as a wiry, fast-talking, high-pitched, manic dental assistant with a boss he hates.

The Way Back Movie Review

“Based on the book” is a phrase sometimes applied loosely to films. “Inspired by” is a somewhat more accurate albeit much more imprecise expression of the basis for source material. Still more liberally invoked in cinema is “based on a true story.” In Peter Weir’s The Way Back we have a film that is very loosely based on the book The Long Walk, purportedly presenting a true story, the veracity of which has been called into doubt on several occasions.

None of that should really matter because when we watch a film we should be judging it on its own merits and not on whether it’s similar to the book or not, or if it’s a true story. But the problem is that presenting your film up front as being based in fact tends to color the audience’s judgment of the events depicted.

Ondine Movie Review: Colin Farrell finds love with a mysterious woman from the sea

Irish director Neil Jordan was at his best when he was focused on making distinctly Irish stories. The triple punch through the middle part of the 1990s of The Crying Game, Michael Collins and The Butcher Boy (we’ll conveniently ignore 1994’s Interview with the Vampire) helped establish him as an important filmmaker capable of crafting intimate character studies within the grander scope of the Irish Revolution and The Troubles in Northern Ireland. After steering off course for more than a decade, I wondered if Ondine, his return to his native country, would provide a welcome repose from the astounding mediocrity of everything from the psychological horror film In Dreams to the Graham Greene adaptation The End of the Affair. That and the inevitable pairing of one of Ireland’s best working directors with Colin Farrell, probably its best working screen actor, gave me some hope.

Movie List: Contemporary Screen Actors Very Much Deserving of an Oscar

Winning an Academy Award takes a kind of perfect storm confluence of events.

It's not just talent that will get you there. Just look at Al Pacino, who suffered 7 losses (including monumental performances in classic films such as The Godfather, Serpico and Dog Day Afternoon) before finally taking the prize for Scent of a Woman, the least deserving of all his nominated performances. Many people say the same for Paul Newman who finally won for The Color of Money.

Certainly talent plays a big part, but it's also necessary to have the right role. Most people recognize that certain roles are juicier than others, thus garnering more attention and awards. The key types include biographical characters, preferably heroic in some way (George C. Scott and Ben Kingsley); disabled (mentally or physically) individuals (Tom Hanks and Geoffrey Rush, among many others); going ugly or playing against type (Charlize Theron and Denzel Washington).

It also helps to be a fairly well-established actor to win the award. It is more common for women to win the Oscar for debut or early career performances than for men, but still, the vast majority of winners, particularly in the lead categories, are well-liked Hollywood actors.