Of course you can see in the September releases that the big summer blockbusters have finished and the studios are trotting out the stuff they think will contend for awards (at least the first of them anyway). So that's how you end up with...
Michael Apted's adaptation of Dian Fossey's story, Gorillas in the Mist, starring Sigourney Weaver as the doomed zoologist murdered in her cabin in the mountains of Rwanda.
Richard Dreyfuss starred alongside Raul Julia and Sonia Braga in Moon Over Parador, a comedy about an actor hired to play the part of a dictator of fictional Latin American country Parador after the death of the actual dictator. Obviously made to resemble Augusto Pinochet, he ended up looking like a cross between the Chilean dictator and Gaddafi.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label John Sayles. Show all posts
Showing posts with label John Sayles. Show all posts
Monday, September 2, 2013
25 Years Ago This Month: Eight Men Out Movie Review
John Sayles’ Eight
Men Out, the story of the 1919 Chicago “Black Sox” scandal, is, on the one
hand, an odd outlier compared to the rest of his work, and on the other,
somewhat right in line with his plight of the working man sensibility. I’ve
always been a great admirer of Sayles’ films. I especially enjoy the fact that
he can make films illustrating the challenges of capitalism for laborers
without being preachy or overtly socialist. He’s the more toned down American
version of Ken Loach. In that respect, Eight
Men Out fits right in because his version of the story, which is based on
the book by Eliot Asinof, focuses more on the accused players as put-upon
contracted laborers in thrall to a greedy owner who exploits their talents for
financial gain. But amid his full body of work as writer and director it stands
out as one of only two films he adapted from source material. So while he’s
chosen to focus on the aspects that do appeal to him as a storyteller, the crux
of the film is that it’s a historical sports movie, standing very much apart
from his other work.
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