Don Jon Movie Review

Joseph Gordon-Levitt’s acting career has been loaded with good choices. He has starred in unique twists on familiar genres with director Rian Johnson, appeared in mammoth event films for Christopher Nolan, and even his populist choices like the romantic comedy (500) Days of Summer or the thriller Premium Rush have been pleasant exceptions to the rule. That’s why I had high hopes (perhaps a bit too lofty) for his writing and directing debut Don Jon. It looked like another great departure from the usual romantic film bullshit and that it might really have something to say, being about a man who can’t make an intimate connection with a woman because he’s far too enamored with Internet pornography.

Premium Rush Movie Review

Premium Rush starts with a bang-whoosh, revs up the adrenaline with a dynamic camera following a bike messenger through the streets of New York City, and kicks up the rock soundtrack. Then it doesn’t let up for the next 90 minutes. Just when you think you’ve settled into a groove along with the story, it throws you for a loop by doubling back on itself to fill in some crucial piece of story information. A digital clock appears on the screen to let you know what time it is or was. Then just as suddenly it whizzes you back into the present.

Lincoln Movie Review

2300 years ago Euclid proclaimed as one of his common notions that things equal to the same thing are also equal to each other. This is a founding principle of geometry and necessary for the beginnings of modern engineering. It seems self-evident, doesn’t it? Of course Thomas Jefferson held it self-evident that all men are created equal and endowed with unalienable rights such as liberty, yet he was himself a slave owner. In Steven Spielberg’s masterful biopic Lincoln, the 16^th President and drafter of the Emancipation Proclamation tries to rely on Euclid’s notion to help him in his decisions regarding slavery that will impact the United States and the terrible Civil War that was entering its fifth bloody year.

Looper Movie Review

When a filmmaker ventures down the wormhole of time travel as a narrative device, he’s setting his film up to be prodded and picked apart in the minutest detail to discover all the flaws and inconsistencies. The best time travel movies tend to be the ones that have some intelligence about the process and implications of traveling to the past, but mostly they succeed when the time travel becomes secondary to other elements in the film.

Take a film like Back to the Future, for example. Yes, without the time travel there is no story, but the breakneck pace, the good writing, the funny jokes all take precedence over the fact of Marty going 30 years into the past. In the case of Rian Johnson’s Looper, I could talk about a paradox that unravels the entire story if we follow logical consistency, but we’re dealing with a science fiction action film that relies on something that doesn’t exist and is only theoretically possible in terms of traveling forward in time. In Johnson’s film, the only time travel happens backward.

The Dark Knight Rises Movie Review

I’m not ready to jump on the bandwagon of The Dark Knight Rises. Before I get labeled a hater or someone who badmouths Hollywood movies for the sake of it, let me point out I was a big fan of both Inception and The Dark Knight. It is true I dislike most big budget action films, but not for the sake of setting myself apart from the masses. It’s because they are so often so bad. The world was geared up to love The Dark Knight Rises. It’s been built up immensely. Everyone – not just Christopher Nolan and Warner Bros. – has significant investment in its success. If you hate the third part, what does that say about your love for the first two? We are primed to enjoy this final chapter in the trilogy. I’m afraid my primer didn’t take.

50/50 Movie Review: Laughing Our Way Through Cancer

50/50 might be one of the smartest films about living with cancer that I’ve seen. That it’s a comedy makes it all the more interesting to me. It’s not a cancer comedy the way The Bucket List is, with two old geezers having adventures that the conditions of their bodies would never permit in real life. 50/50, directed by Jonathan Levine from a script by real-life cancer survivor Will Reiser, is about a man in his late-20s who is diagnosed with a rare form of spinal cancer and how he faces what could be his last days on earth.

(500) Days of Summer Movie Review

First published at American Madness on 23 November 2009.

Reposted here without changes.

(500) Days of Summer rests solidly on the strengths of its charismatic leads Joseph Gordon Levitt and Zooey Deschanel, who play Tom Hansen and Summer Finn, co-workers at a greeting card company who find, and then lose, romance. Written by Scott Neustadter and Michael Weber and directed by Marc Webb (known primarily for music videos, but making his feature debut here), it is the perfect, and often honest, answer to the contrived and sappy romantic comedies we see produced far too often in Hollywood.

“This is not a love story,” we’re told at the outset by an omniscient narrator. Although a love story is most certainly what it is. The film begins with the recounting of the happy couple’s breakup. That line is designed to set us up for the fact that the couple will not get back together. Armed with the knowledge of what is ultimately to come on Day 280 (or something) of the titular 500, the story then jumps back to Day 1 and then soldiers on ahead depicting the burgeoning romance between Tom, the romantic who believes in love at first sight and soul mates, and Summer, who doesn’t believe in love (perhaps because she’s never experienced it) and refuses for several months to even admit she is his girlfriend.

Inception Movie Review

A unifying theme has slowly emerged from the film work of Christopher Nolan. He is fixated on the idea of perception and the conflict of illusion vs. reality. In Memento, a man believes he can be sure of certain facts despite being incapable of creating new memories after about 15 minutes (in the end we learn his foolproof system allows for self-delusion). Insomnia looks at the effects of sleep deprivation on the conscious mind and The Prestige is about the way people can be deceived by distracting the mind with misdirection. Nolan’s latest film, Inception, perhaps shares more in common with his first feature than with anything else in his impressive body of work. But for the chance at a spoiler I shall say no more than that.