The Bourne Ultimatum Movie Review

Matt Damon never smiles in The Bourne Supremacy. I think that’s also true in The Bourne Ultimatum, which is the darker and slightly more sinister installment in the trilogy. It picks up where the previous film left off, after Bourne has tried to achieve some redemption by apologizing to the young woman whose life he altered when he murdered her parents. Most of the movie cleverly, it turns out, takes place between that apology scene and the epilogue of The Bourne Supremacy in which he calls Pam Landy and insinuates that he’s looking at her through her office window.

The Bourne Supremacy Movie Review

If The Bourne Identity was the grounded, relaxed version of an action spy film, then its first sequel The Bourne Supremacy is the next step in kineticism, ratcheting up the energy as Bourne remembers more about his past and becomes more deeply embroiled in layers of cover-ups he can’t understand.

It picks up two years after the events of the first film. Bourne and Marie are hiding out in India until an assassin (Karl Urban) shows up and accidentally kills Marie (Franka Potente) instead of Bourne. Meanwhile in Berlin, Pamela Landy (Joan Allen), a CIA bureaucrat, is working a case to uncover a mole within the organization. Someone is also setting up Bourne as a rogue agent. The old Treadstone project that made Bourne has become Blackbriar. Landy is kept at arm’s length by Abbott (Brian Cox, returning in his role as the head of the Black Ops program).

From My Collection: The Bourne Identity Movie Review

I’m revisiting the original trilogy of Bourne Movies after seeing Jason Bourne. I guess that’s backwards, but the inspiration didn’t strike until I found myself disappointed in the new movie. Seeing how frenetic the editing was, I felt that Paul Greengrass had taken his style to an extreme. I didn’t recall that the two he directed were similarly edited.

From My Collection: Swiss Family Robinson Movie Review

So as my son gets older I find myself wanting to introduce him to the films I found to be magical experiences when I was a boy. And so he’s seen the Star Wars trilogy and E.T. and The Wizard of Oz. But there’s one that I loved that was perhaps less well-known, certainly less popular compared to those blockbuster classics. Disney’s live action adventure Swiss Family Robinson won’t be making anyone’s list of the greatest films, but boy is it fun!

This movie has everything: a shipwreck; exotic locations; a menagerie of incredible animals; pirates; guns; coconut bombs; and the coolest fucking treehouse you’ve ever seen. That treehouse is so awesome, so wondrous that it became a beloved attraction at both Disneyland and The Magic Kingdom theme parks.

Fat City Movie Review

From the annals of long since forgotten films comes Fat City from 1972. Every calendar year is overloaded with movie releases that, even if modestly successful at the time, are destined to recede into memory as the years pass. The status of classic or cult classic is reserved fro only a handful of films each year. You need only go back eighteen years to find a Best Picture nominee called The Full Monty, for example. It was a small British film that found great success in the United States. But how many people think of it now? How highly regarded is it by those who do recall it? Now consider that film’s status with another twenty-five years of age. So The Full Monty is no Fat City, of course, if for no other reason than the latter was directed by John Huston, a Hollywood legend. But even his fame never elevated the film above the level of New Wave Hollywood footnote.

A Walk Among the Tombstones Movie Review

Played in all earnestness as a tribute to the private investigator sub-genre of crime fiction, Scott Frank’s adaptation (which he also directed) of Lawrence Block’s A Walk Among the Tombstones is about as grim and nihilistic a treatment as you’re likely to see in a mainstream movie. The character Matt Scudder featured in more than a dozen of Block’s books and some of those have been adapted to the screen before. But Frank, who is no stranger to pulp fiction and mystery stories involving a tough PI (Frank wrote the screenplay adaptations of both Get Shorty and Out of Sight), doesn’t bother trying to reinvent the genre or to put a new spin on it. A Walk Among the Tombstones is effective classic mystery storytelling. It’s more hard-edged and just plain evil than any adaptation of Philip Marlowe or Sam Spade ever was, but the hallmarks are there.

Still Alice Movie Review

For movies about terminally or debilitatingly ill characters, you could do a lot worse than Still Alice. Adapted and directed by Richard Glatzer and Wash Westmoreland from the book by Lisa Genova, it’s about a woman diagnosed with and then suffering the consequences of early onset Alzheimer’s. She’s only fifty, still working as a university lecturer, giving talks around the world on linguistics and language development. She’s still physically active as a runner and involved in her children’s lives. They are at that precarious age in between childhood and having families of their own, chronologically adults, but still in need of mother’s care.

The Hobbit: The Battle of the Five Armies Movie Review

For the third and final installment in Peter Jackson’s bloated trilogy, The Hobbit, I couldn’t bear to sit through An Unexpected Journey and The Desolation of Smaug to refresh my memory before trudging through the morass of The Battle of the Five Armies. The predictable result is that I had completely forgotten who some secondary characters were, what they had done previously, and why I should care about them at all.

From My Collection: Up in the Air Movie Review

Jason Reitman made a name for himself (outside of trading on his father’s name) by directing two sort of quirky small-scale character-driven comedy-dramas. Thank You for Smoking and Juno both had enough oddball screwiness to their premises and characters to get noticed. But Reitman’s third feature, Up in the Air, based on the novel by Walter Kirn, for which Reitman shares screenwriting credit with Sheldon Turner, his attention is turned toward real life drama. This is a film about a man whose job is to go into other companies to tell their employees that they’ve been laid off so that the bosses don’t have to get their hands dirty.

Die Hard Movie Review

I guess Die Hard has achieved something close to classic status by now. It’s a beloved action movie from the 80s (the heyday of big dumb action) with an up-and-coming movie star that spawned four sequels and a catch phrase. Taking another look at it I’ve found that it holds up well, but it’s certainly not great. It does just about everything right and hardly missteps until the very last scene, I’d say.

From My Collection: 25th Hour Movie Review

In 2002, New York City lay beaten and bruised, injured and left for dead but not without some bite left in her. Certainly the city was ready and willing to dole out punishment to anyone who intended harm again. It’s a lot like the dog Doyle at the opening of Spike Lee’s 25^th Hour. Someone has abused him, but he lashes out at Monty Brogan (Edward Norton), who only wants to help. Monty takes Doyle in and when the story picks up a year later, the dog is reasonably normal while the city is still reeling from catastrophe.

From My Collection: A Simple Plan Movie Review

My history with A Simple Plan is very special. In 1998 I had seen lots of excellent movies that I really admired, but had yet to find a perfect 10. On New Year’s Eve I saw three movies. One of them was Sam Raimi’s A Simple Plan, a movie I didn’t have any significant expectations for outside of being interested in Billy Bob Thornton and the premise of the film: three ordinary men find a bag full of money. What should they do with it? It was probably about halfway to two thirds of the way through when I had a realization that the film was on its way to my standard of perfection if only it could avoid any third act missteps. And then it made it. It arrived to the end and Scott B. Smith, who adapted the screenplay from his own novel, had made all the right choices and I stood in awe of this minor little film that was simply astounding.

Primary Colors Movie Review

As an obvious companion piece to Wag the Dog, which I revisited recently, I decided to take another look at Primary Colors, the 1998 film based on a novel that was an embellished and somewhat fictionalized version of Bill Clinton’s first primary campaign for the presidency. Wag the Dog was a year earlier, but both strike at the heart of late 90s political climate, albeit in very different ways. The first film has, in man way, improved with age, while Primary Colors has become a bit more dated. Wag the Dog remains more relevant today than does Primary Colors. That’s not the fault of director Mike Nichols or Elaine May, who adapted the screenplay (and scored an Oscar nomination, I should point out), but it is a fact that can’t be avoided in any updated conversation about the movie.

The World According to Garp Movie Review

I have so many memories from my childhood of my mother watching The World According to Garp that I think there must have been a stretch of time when it was on TV nearly every day. I thought it a bizarre movie then and I find it a bizarre movie now. George Roy Hill directed this adaptation of John Irving’s novel, which I’ve never read. But I won’t let that prevent me from speculating on something I’d be willing to bet the book does that the movie fails to.

Wag the Dog Movie Review

In 1997 there was no YouTube, no Facebook, no Twitter. There were message boards, email, websites, maybe some very early blogs, but the dissemination of information and access to reports, accounts, and testimonials, for all that we thought at the time was lightning fast, was nothing compared to today. This thought occurred to me while revisiting Wag the Dog, Barry Levinson’s seventeen-year old film about an invented war fed to the media to distract the public from a Presidential sex scandal two weeks before he hopes to be reelected. In it, Robert De Niro plays Conrad Brean, a kind of independently contracted fixer brought into the White House by Winifred Ames (Anne Heche) to help clean up the mess and potential fallout once the story breaks. So Conrad enlists the help of Stanly Motss (Dustin Hoffman), a big Hollywood producer, to put the pieces in place to sell not just a war, but a whole package and all the emotions and patriotic fervor that come with it, to the public.

Classic Movie Review: To Have and Have Not

Warer Bros. struck gold with Casablanca in 1942 and their blatant attempt to recapitalize on that success came in the form of To Have and Have Not in 1944. It was very loosely based on the Hemingway novel of the same name and bears far more resemblance to the tale of a defiantly neutral anti-hero eking out a loving in Vichy Morocco during WWII than it does to Hemingway’s tale of a tough fisherman in Cuba running contraband to Key West. The Howard Hawks film transplants the story to Vichy Martinique and has Bogart’s Harry Morgan frequent a nightclub with a friendly piano player (played by Hoagy Carmichael) and then brings in a dame, Maria Browning, played by Lauren Bacall in her first screen appearance and first of four alongside her future husband.

Like Bogart’s Rick in Casablanca, Harry tries not to take sides for or against the Vichy government. He’s a man trying to make a living until he is pulled into a deal that has him actively aiding rebels fighting against Vichy. The parallels to Casablanca are so remarkable I can’t believe it’s considered an adaptation of Hemingway’s work rather than Curtiz’s film. There’s a Captain Renard, a police inspector played by Dan Seymour, whom you can almost hear announcing, “Round up the usual suspects.”

One significant, though unnecessary, addition is Harry’s fishing boat partner, a comically bumbling alcoholic played wonderfully by Walter Brennan. Were it not for the history-making pairing of two legendary movie stars who generate some fiery on screen chemistry with the aid of fantastic and sizzling line penned by William Faulkner and Jules Furthman, there wouldn’t be much left here to call classic. To Have and Have Not should have been relegated to Hollywood’s dustbin except that Bacall made such a huge impact on the film’s director and star. Together they impacted the world and became forever solidified in the public consciousness as one of the great Hollywood couples.

Dark Passage Movie Review

Did women’s voices mature earlier in the 40s? Why, when we watch actresses in their early twenties from that period, do they sound like grown women, but today’s young actresses sound like little girls? is there something in our culture today that values infantilizing girls so that they intuitively maintain their immature squeaky whiny tones? Perhaps the question answers itself. Or maybe it’s nothing so deep and dramatic. Maybe actresses then received formal theatrical training like singers to develop their voices. Whatever it is, Lauren Bacall had one of the great all-time sexy mature female voices, even at twenty-two, when she starred in only her fourth feature, and third with Humphrey Bogart, Dark Passage.

Classic Movie Review: The Big Sleep

There’s a legend about the making of The Big Sleep that the filmmakers contacted author Raymond Chandler to ask who had killed the chauffeur in his Philip Marlowe detective tale. He replied that he had no idea. The story, true or not, illustrates the mind-bendingly complex plotting of this classic film noir that has enough plot twists, double crosses, and murders to fill three or four movies.

Humphrey Bogart is Marlowe, the private detective hired by the wealthy patriarch of the Sternwood family to deal with a blackmail scheme involving Carmen (Martha Vickers), the younger of his two daughters. Vivian Rutledge, the elder daughter played by Lauren Bacall, involves herself, setting off a tension-filled relationship between her and Marlow for the remainder of the film. To try to recount the plot or even the basic story would result in a senseless explanation. As directed by Howard Hawks, The Big Sleep is an exercise in style. This is one of the great classic noirs, though it does lack a number of the genres hallmarks.

A Most Wanted Man Movie Review

Roadside Attractions

Master spy novelist John le Carré’s novels have been adapted into films several times. One, Tinker Tailor Soldier Spy was made twice, the more recent of which may go down as one of the great spy thrillers. Now comes A Most Wanted Man, based on his 2008 novel, which is on the same plane, if not as deeply intricate and taut as Tinker Tailor Soldier Spy. The film, directed by Anton Corbijn and adapted by Andrew Bovell, is a brilliant exercise in restraint. Unlike Corbijn’s last film, The American, it has a great deal of forward momentum, generates real suspense, and is not nearly as opaque. And make no mistake about it – A Most Wanted Man is profoundly and subtly critical of American foreign policy with regard to the war on terror.

The Fault in Our Stars Movie Review

From the writers of (500) Days of Summer I expected much better in a romance film involving two teenage cancer patients. The Fault in Our Stars, directed by Josh Boone, is not cloying or mawkish, but it is oh so precious – relentlessly so. It is constantly aware of how perfect a movie it’s so desperately trying to be. I can even sort of tell from this movie that the source novel is likely similarly insistent on its sense of perfection in its characters and plotting.

The story is narrated by Hazel (Shailene Woodley), a seventeen-year old with stage four cancer that has left her with a lung ailment that demands twenty-four hour attention from an oxygen tank. Woodley is a talented actress whom I have greatly admired and here she really holds the movie together. Without her performance, exuding youth along with naturalism and a realistic outlook on her situation that you wouldn’t expect from a girl her age, the movie doesn’t work. But Marc Webb’s and Scott Neustadter’s screenplay pushes too hard on those buttons that make Hazel seem too intelligent, too over it, too cynical to go in for the platitudes and clichés associated with her disease.