As a film critic I would love to have the luxury of
seeing every new film and writing about it. As this is not a paying job for me,
I have to pick and choose what I see, mostly based on personal preference, but
often choosing films that are popular or important benchmarks. The subject
matter of Cloud Atlas hardly
interested me, although the filmmakers involved certainly did. The Wachowski
siblings, Andy and Lana (formerly Larry) brought us The Matrix trilogy, the first installment of which I think is
filled with wonderful vision, a great story, and brilliant use of visual
effects. I found Tom Tykwer deeply intriguing as a filmmaker with both Run, Lola, Run and The Princess and the Warrior, although admittedly I know nothing of
his work in the past decade. Together these three directors decided to bring
David Mitchell’s complicated 2004 novel which involves six stories in different
time periods and characters that exist as alternate versions of themselves across
time and space.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Hugh Grant. Show all posts
Showing posts with label Hugh Grant. Show all posts
Monday, November 19, 2012
Sunday, December 25, 2011
Love Actually Movie Review: A New Perennial Christmas Classic
Released in the United States one week after Elf, a film I think should become a
holiday classic, Love Actually warmed
audiences' hearts and for many has become perennial viewing at this time of
year. It’s easy to see why as I found it thoroughly enjoyable in the cinema in
November, 2003, and still find it emotionally fulfilling eight years later. At
the time I might have written it off as high-end fluff that I fell for at a
time when I was returning from the emotional high of three months backpacking
Europe, a trip during which I saw London for the first time. So watching the
movie, I experienced nostalgic excitement over seeing that skyline again, for
recognizing Heathrow airport, for hearing those London accents. It turns out,
however, that the film has a lot more to offer. It has staying power built on a
witty script by Richard Curtis, who also directs with a light touch, keeping
more than a dozen major characters suspended over two hours bringing everyone’s
story into resolve in the final scenes and brief coda.
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