The story of the founding of the most popular and successful social networking site, Facebook, is the foundation for The Social Network, but it’s hardly the meat and potatoes of the story. It’s directed by David Fincher from a dazzling screenplay by Aaron Sorkin, who adapted it from Ben Mezrich’s non-fiction book The Accidental Billionaires.
Fincher got his start in feature films as a studio director-for-hire who always brought a unique vision to such films as Alien 3, Se7en and Fight Club. He strayed a little off the map by opting for more commercial fare with the recent Hollywood favorite The Curious Case of Benjamin Button. Although The Social Network is a big commercial enterprise, Fincher gets himself back on track as an auteur. He demands that we take sides with a severely flawed hero – Facebook creator Mark Zuckerberg (Jesse Eisenberg) who sold out his best friend and may have partially ripped off the idea from fellow Harvard classmates Divya Marendra (Max Minghella) and Tyler and Cameron Winklevoss (Armie Hammer).
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Max Minghella. Show all posts
Showing posts with label Max Minghella. Show all posts
Saturday, October 16, 2010
Sunday, May 23, 2010
Movie Review: Rachel Weisz Stars in Agora

*Agora opens next Friday in New York with a possible wider release later. It played throughout Europe last year becoming the biggest box office success on the Continent in 2009. It also won 7 Goya Awards (The Spanish equivalent of The Oscars) and was nominated for 6 others.
It’s said that one of the most difficult things to present on screen is the process of writing. Of all the arts it is the least visually kinetic and generally either a bore to watch or otherwise presented unrealistically. Well I can now say with certainty that there is another art form even more boring in its screen presentation: that of the ancient mathematician philosopher.
This is rather unfortunately what Alejandro Amenábar (director of the wonderful assisted suicide drama The Sea Inside and the haunting The Others) has attempted to do with Agora, the story of Hypatia (Rachel Weisz, trying her best to make the most of weak material), a brilliant female mind and university teacher caught in the center of a man’s world and the tumultuous time when the Roman Empire was succumbing to the forces of Christianity.
Subscribe to:
Posts (Atom)
Everything I Saw in the 2nd Half of 2025
30 Dec. Hamnet (2025) [cinema]* 28 Dec. #4133 Song Sung Blue (2025) [cinema] 25 Dec. #4132 Marty Supreme (2025) [cinema] 16 Dec. #4131...
-
When I was in my twelfth grade English class I was fixated on symbolism, loss of innocence metaphors and literature that you could tuck in ...
-
This film will open commercially in the United States on 22 April 2011. Immediately after being born, an infant child is tattooed ...
-
As a staunch non-believer I’ve only ever encountered two films that gave me a sense of what religious fulfillment is. Not that I was spir...
