Much Ado About Nothing Movie Review

Sometimes as a great fan of Shakespeare, though certainly I am not a studied scholar of his work, I long for adaptations that get away from the stuffy theatrical tradition popularized by Laurence Olivier and Kenneth Branagh. Though I have often found much to admire in Branagh’s work, it still fails to feel truly inspired or inspiring and instead comes across as an exercise in literary interpretation rather than a production of human emotion. But it is exactly that quality in Joss Whedon’s adaptation of Much Ado About Nothing that I admire it so damn much and why I’m willing to call it the best Shakespeare adaptation committed to film.

The Cabin in the Woods Movie Review

Joss Whedon has built a strong cult following around his projects that have a tendency to subvert genre conventions and put a new spin on familiar stories. His short-lived TV series “Firefly” and the follow-up film Serenity was a sci-fi space western. Buffy the Vampire Slayer, which most people forget was a movie before it was a popular TV show starring Sarah Michelle Gellar, took the dumb blonde caricature who is always the first to die in horror films and made her the hero, an ass-kicking, smart-talking, wooden stake-wielding defender of humanity. As co-writer along with Drew Goddard, who directs, and producer of The Cabin in the Woods, Whedon turns his attention to the slasher/horror/torture porn set of genres and sub-genres.