Thankfully after the sour taste of Truth, a journalism movie with good intentions but very poor
execution and understanding of proper journalism, Spotlight came along to remind us that there are people who get it.
They get that investigative journalism can be a tool and a force for change and
for good and that the ends in themselves are not always justified even if your
story is right, or is most likely right. Good journalism requires good, fair,
and accurate reporting. It’s about dogged determination in getting people to
talk or reveal secrets. Spotlight,
directed by Tom McCarthy and co-written by him and Josh Singer, sis the best
movie about the process of investigation and what goes into reporting a story
since All the President’s Men.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Stanley Tucci. Show all posts
Showing posts with label Stanley Tucci. Show all posts
Sunday, March 13, 2016
Thursday, April 2, 2015
The Hunger Games: Mockingjay Part I Movie Review
The Hunger Games:
Mockingjay Part I has an unwieldy title thanks to the decision long ago to
divide the third book in Suzanne Collins’ trilogy into two movies. Let’s face
it, this is a business decision much more than an artistic choice. It’s a means
o doubling revenue for a single story. I feel no discussion of this series can
be complete without considering that decision.
Friday, December 20, 2013
The Hunger Games: Catching Fire Movie Review
The Hunger Games:
Catching Fire does just about everything a studio wants from its sequels.
It basically repeats the successful formula of The Hunger Games, but adds a new bevy of recognizable Hollywood
faces. The one thing it mercifully resists is ramping up the action. The Hunger Games was an exercise in Gary
Ross’s control and his successor Francis Lawrence follows in his footsteps,
keeping the majority of the action within the centerpiece installment of the “games”
themselves even while the stakes have been greatly increased.
Thursday, October 24, 2013
The Fifth Estate Movie Review
We’ve set up our society in the midst of the digital
information age in such a way that we want everything and we want it now and if
you have the opportunity to provide something and make an impact, you’d better
do it this instant before someone beats you to it. There’s no prize for the guy
who sits on an idea and gets beaten to the punch by his competitor. There’s no
recognition for having had the idea first. Action counts. News works this way.
Because of the Internet and 24 hour cable news there is no longer as much
emphasis placed on getting a breaking story right as there is on just getting
it out. The result is new reporting that is often shoddy, under-sourced, and
sometimes entirely inaccurate.
Thursday, May 17, 2012
Captain America: The First Avenger Movie Review
When Steve Rogers is brought in to a super secret
military lab via a secret passage in a Brooklyn shop, you have to ask yourself
how efficacious it is to have a super secret military lab replete with doctors,
scientists, senators and military police who all had to enter via a secret
passage in a Brooklyn shop. Aren’t they at all concerned that anyone spying on
them might wonder why none of these several dozen people ever exit this magical
retail establishment? All I ask of action movies besides being exciting and fun
and written in a way that suggest the screenwriters didn’t sleep walk their way
through it, is that the story makes some logical sense on its own terms. For
the most part Captain America: The First
Avenger passes the last test. The first ones could use a bit of work.
Saturday, April 14, 2012
The Hunger Games Movie Review
I like futuristic dystopia stories for what they suggest
about humanity at present and where we are ultimately headed if we continue
down certain paths. But I generally like the vision to make some sense. I don’t
necessarily demand a lot of back story and exposition to explain how the future
became such as it is, but I would like it to make some sense according to what
I know of the world today. Even when our real life timeline inevitably reaches
the fictional year of some such movie or story and it turns out the vision hasn’t
really panned out, in the best ones we can find some parallels and maybe say, “Well,
it’s not 100 percent accurate but I can still see it as a possibility.” The
year 2001 came and went and although we have yet to develop the capabilities to
forge deep space travel as depicted in 2001:
A Space Odyssey, we have been to the moon since the film’s 1968 release and
humanity has explored (via unmanned probes) the far reaches of our solar
system. Blade Runner presents a
vision of Los Angeles in 2019 that is not close to coming to fruition, but
still looks like a possibility in some more distant future.
Tuesday, February 21, 2012
Margin Call Movie Review
The financial crisis that started in 2008 is far too
complicated to explain in one 2 hour dramatic film. The experts on the subject
can hardly understand exactly what led to such a tremendous financial crash. Some
films have tried to get into it, including documentaries, all of which are too
all-encompassing to make much sense or to coalesce the details into something
understandable to a layperson.
J.C. Chandor’s Margin
Call, however, is a smart little financial drama that takes place basically
in the 24 hours before the big crash really started. Chandor, the son of a Wall
Street investment banker, and a man who clearly understands a lot more about
financial institutions and brokerage deals than I ever will, has crafted a
screenplay and a film unlike anything I’ve ever seen on similar topics. Your
typical Wall Street drama is so often fast-paced high tension designed to make
what is otherwise cinematically uninteresting material more visually arresting.
Chandor eschews the bells and whistles for a story that is character based.
Tuesday, July 27, 2010
The Devil Wears Prada Movie Review
The Devil Wears Prada is one of those Hollywood productions based on a best-selling novel, cast with big name movie stars, filled out with great production values, all in service to a lifeless script.
The screenplay by Aline Brosh McKenna is based on the novel (unread by me) by Lauren Weisberger. The basic plot is thus: fresh-faced college graduate Andrea Sachs (Anne Hathaway) seeks idealized position writing articles for a publication such as The New Yorker (it seems no one told Andy that in 2006, print publications were going the way of crank-start cars and anyway, big-time magazines generally don’t hire inexperienced 22-year olds as writers). She gets a (sort-of) lucky break getting hired as the junior assistant to Miranda Priestley (Meryl Streep), a fashion maven and editor-in-chief of Runway fashion magazine. It’s a job “a million girls would kill for” and if Andy can last a year she’ll have her pick of great magazine jobs.
The screenplay by Aline Brosh McKenna is based on the novel (unread by me) by Lauren Weisberger. The basic plot is thus: fresh-faced college graduate Andrea Sachs (Anne Hathaway) seeks idealized position writing articles for a publication such as The New Yorker (it seems no one told Andy that in 2006, print publications were going the way of crank-start cars and anyway, big-time magazines generally don’t hire inexperienced 22-year olds as writers). She gets a (sort-of) lucky break getting hired as the junior assistant to Miranda Priestley (Meryl Streep), a fashion maven and editor-in-chief of Runway fashion magazine. It’s a job “a million girls would kill for” and if Andy can last a year she’ll have her pick of great magazine jobs.
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