It’s amazing how, not even being a fan of baseball, I can
still be moved by the nostalgia that drips off Field of Dreams. I hadn’t watched it since I was a kid, and I
remembered it as being sort of overly sentimental and hackneyed, but as an
adult, as a grown man who has learned to appreciate America and history and our
collective cultural consciousness, Phil Alden Robinson’s adaptation of W.P.
Kinsella’s fantasy novel stands out as a modern cinema classic.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Ray Liotta. Show all posts
Showing posts with label Ray Liotta. Show all posts
Saturday, April 12, 2014
Wednesday, November 2, 2011
John Cusack focus concludes with Review of Identity
It can be a really effective premise to confine your
characters to a single location fort eh duration of the drama. The ancient
Greeks were certainly aware of this as a narrative device. It can work best in
a thriller and there are many that throw a bunch of people together for a
single night and then dispatch them one by one.
James Mangold’s Identity
starts eerily and mysteriously with newspaper clippings of a motel murder and
voiceover recordings of a psychiatrist (Alfred Molina) talking to the alleged
perpetrator. Then suddenly we’re thrust into a motel office as a man bursts in
holding his bleeding wife shouting at the clerk to call an ambulance. Then in
overlapping flashbacks we see the sequence of events, involving a young call
girl, a limousine driver and an aging movie star, and a young boy who never
speaks, that led to the accident. Because of a terrible rain storm that has washed
out the road in both directions, all these characters and more wind up at the
motel together.
Friday, April 1, 2011
Hannibal Movie Review
This review was written in February 2001 and is presented here for the first time.
There is an unfortunate stigma that comes with sequels: the belief that it must be as good as or better than the earlier film in the series. Comparisons are always inevitable in such cases, but if a sequel can stand on its own, why is that not good enough? I've always maintained that the third installment in the Godfather series would be an excellent movie had it not been the third in a series of fantastic films. Hannibal, the sequel to 1991's critically acclaimed Silence of the Lambs, now faces the task of being measured against its predecessor.
Subscribe to:
Posts (Atom)
Everything I Saw in the 2nd Half of 2025
30 Dec. Hamnet (2025) [cinema]* 28 Dec. #4133 Song Sung Blue (2025) [cinema] 25 Dec. #4132 Marty Supreme (2025) [cinema] 16 Dec. #4131...
-
This film will open commercially in the United States on 22 April 2011. Immediately after being born, an infant child is tattooed ...
-
Back in 1996 I was truly taken in by Barry Levinson’s Sleepers , adapted from Lorenzo Carcaterra’s allegedly autobiographical novel relat...
-
When I was in my twelfth grade English class I was fixated on symbolism, loss of innocence metaphors and literature that you could tuck in ...


