There’s a current movement in German cinema. I’m not sure
if it’s acquired a catchy name yet. “The Berlin School” is the closest I can
find, but that’s not descriptive in the way that “film noir, “French New Wave,”
or “Italian neo-realism” were. From my own observations it’s something like
neo-German historical realism. But that’s a little clunky. At any rate, the
movies, which tend to focus on post-war Germany or Communist Bloc East Germany,
have been making their way stateside, illuminating the ways in which a new
generation of German filmmakers and their audiences are responding to the
important historical markers that shaped Gemany and its people today.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Nina Hoss. Show all posts
Showing posts with label Nina Hoss. Show all posts
Tuesday, August 25, 2015
Tuesday, August 12, 2014
A Most Wanted Man Movie Review
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| Roadside Attractions |
Master spy novelist John le Carré’s novels have been
adapted into films several times. One, Tinker Tailor Soldier Spy was made twice, the more recent of which may go down as
one of the great spy thrillers. Now comes A
Most Wanted Man, based on his 2008 novel, which is on the same plane, if
not as deeply intricate and taut as Tinker Tailor Soldier Spy. The film, directed by Anton Corbijn and adapted by Andrew
Bovell, is a brilliant exercise in restraint. Unlike Corbijn’s last film, The American, it has a great deal of
forward momentum, generates real suspense, and is not nearly as opaque. And
make no mistake about it – A Most Wanted
Man is profoundly and subtly critical of American foreign policy with
regard to the war on terror.
Wednesday, January 9, 2013
Barbara Movie Review
German director Christian Petzold’s movie Barbara is one of the most paranoid
films of recent years. Not in a lunatic, they’re all out to get me way, but in
the very real way that political dissidents lived in East Germany during the
Cold War. This particular study, which could easily be considered a sister film
of Florian Henckel von Donnersmarck’s brilliant The Lives of Others, concerns a female physician forced to give up
her prominent post at a hospital in Berlin for a life at a pediatric hospital
in the countryside. I’m not sure the reasons for her exile are made explicit in
the film, but Wikipedia (not necessarily renowned for its accuracy) says it was
because she applied for a visa to leave for the West.
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