There are three images that stand out in Steven
Spielberg’s WWII drama Empire of the Sun
that help define the film as a coming of age and loss of innocence tale. The
first is of a boy becoming separated from his parents in a throng of Chinese
citizens fleeing Shanghai as the Japanese invasion begins. The second is the
same boy being slapped in the face by a Chinese household servant whom he has
probably spent his short life bossing around. The third and most powerful is
when the boy witnesses the flash of light from the Nagasaki bomb, a moment that
heralds both the boy’s passage into a new world and more grown up life and the
loss of innocence of humanity, which had definitively demonstrated the ability
to destroy itself.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Christian Bale. Show all posts
Showing posts with label Christian Bale. Show all posts
Monday, December 17, 2012
Saturday, December 8, 2012
25 Years Ago This Month: December 1987
Movie release schedules were not all that different 25 years ago. Studios saved their best films for the very end of the year, just like they do today, in order to be fresh in awards voters' minds. The result is that a lot of deserving films released earlier in the year are largely ignored. The December 1987 film releases garnered a combined total of 28 Academy Award nomination. If we add The Last Emperor, which had a limited release in late November followed by a wider December release, that makes 37 nominations spread over ten films.
In Empire of the Sun, Steven Spielberg returned to WWII, subject matter that has been at the crux of no fewer than six of the films he's directed. Christian Bale starred in the film about a boy from a wealthy British family living in Shanghai who finds himself in a Japanese internment camp after the occupation begins.
In Empire of the Sun, Steven Spielberg returned to WWII, subject matter that has been at the crux of no fewer than six of the films he's directed. Christian Bale starred in the film about a boy from a wealthy British family living in Shanghai who finds himself in a Japanese internment camp after the occupation begins.
Friday, August 10, 2012
The Dark Knight Rises Movie Review
I’m not ready to jump on the bandwagon of The Dark Knight Rises. Before I get
labeled a hater or someone who badmouths Hollywood movies for the sake of it,
let me point out I was a big fan of both Inception
and The Dark Knight. It is true I
dislike most big budget action films, but not for the sake of setting myself
apart from the masses. It’s because they are so often so bad. The world was
geared up to love The Dark Knight Rises.
It’s been built up immensely. Everyone – not just Christopher Nolan and Warner
Bros. – has significant investment in its success. If you hate the third part,
what does that say about your love for the first two? We are primed to enjoy
this final chapter in the trilogy. I’m afraid my primer didn’t take.
Thursday, January 6, 2011
The Fighter Movie Review: One Fights and the Other Boxes
That David O. Russell’s The Fighter is “based on a true story” is not what makes it so good. After all, everybody’s life is a true story, but the vast majority of them wouldn’t make even watchable movies. Anyway, “based on a true story” is always a misleading entry into a movie. No matter how much truth is in the screenplay (in this case the product of Scott Silver, Paul Tamasy and Eric Johnson), the writers always end up playing fast and loose with some story elements.
I can’t say how much of the story of brothers Micky Ward and Dicky Eklund, professional boxers from Lowell, Massachusetts, is true or not. But looking at Micky’s list of professional fights on Wikipedia, it’s clear that his late-stage successful career has been truncated for dramatic effect. Not that this matters much, but it serves to highlight how even a film as steeped in realism as this one can play with facts to enhance not only the dramatic power of the narrative, but to keep the plot within manageable constraints.
Sunday, September 19, 2010
3:10 to Yuma Movie Review
In the pantheon of classic Westerns, the 1957 3:10 to Yuma, directed by Delmer Daves, sits on the shelf of forgotten films. There’s simply no room in the history books for entertainments that rank slightly better than mediocre. Unfortunately it also suffered a close resemblance to High Noon, which went on to fill the quota for films about a lone idealist standing up for justice when no one else will.
For better or worse, the 2007 James Mangold remake is also likely to suffer a similar fate 50 years from now. There’s little in this update which will make it into a classic, but that hardly means it isn’t worth seeking out today.
For better or worse, the 2007 James Mangold remake is also likely to suffer a similar fate 50 years from now. There’s little in this update which will make it into a classic, but that hardly means it isn’t worth seeking out today.
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