The whole plot of the latest Mission: Impossible film, subtitled Rogue Nation, and directed by Christopher McQuarrie, who also wrote
the screenplay and is involved in one way or another in just about everything
Tom Cruise stars in these days, hinges on the usual MacGuffin device. In this
case it’s a cache of data that will give financial support to an international
crime organization known as The Syndicate. They are essentially the
anti-Impossible Mission force, comprised of agents from all over the world who
disappeared, presumed dead, over the last several years. The thing is, the data
can be accessed using fingerprint and voice ID of only one person – the Prime
Minister of Britain! I mean, there’s security and then there’s just plain
stupid and ineffective. What happens if the PM suddenly dies? What if he
resigns? What if he’s revealed to be greater than Nixon levels of corrupt?
Anyway, this is just a minor logical inconvenience o the way to a
cleverly-crafted sequence that results in the kidnapping of the Prime Minister.
And clever set pieces are the stock in trade of the Mission: Impossible series.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Simon McBurney. Show all posts
Showing posts with label Simon McBurney. Show all posts
Saturday, October 3, 2015
Saturday, August 16, 2014
Magic in the Moonlight Movie Review
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| Jack English |
There may not be a filmmaker more grounded in realism who
also frequently touches on elements of magical realism than Woody Allen. Here
is a man who has a strong philosophical view of life, death, and existence, who
seems resigned to the idea that what you see is what you get and that there is
no deity or afterlife. Here is a man who dabbled in magic tricks as a boy and
who grew up to become one of the late 20th century’s most important
and prolific generators of the greatest magic tricks of all – motion pictures.
For what are the movies but an illusion? Not only are the stories told
fictional tales through which we, the audience, have a chance to live out
fantasy wish fulfillment, but the physical process of film projection is a
series of still photographs presented in such rapid succession that it gives
the illusion of movement.
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