People make a big deal out of actors packing on or
shedding the pounds for the sake of a role. Think about De Niro in Raging Bull, Christian Bale in The Machinist, or Tom Hanks in Cast Away and images immediately come to
mind of an altered body paired with a great performance. It’s easy to conflate
physical transformation and great acting or to think that the one causes the
other. I suppose it helps the actor get into the mind of the character in some
cases, but regardless, the actor still has to do the work in his head even
after the physical aspect has taken root.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label AIDS. Show all posts
Showing posts with label AIDS. Show all posts
Saturday, November 23, 2013
Monday, February 4, 2013
How to Survive a Plague Movie Review
Documentary films are first and foremost supposed to do
just that – document a story, an event, a person, etc. It tends to be the case
that most documentaries are contemporary and many are a call to action for some
pressing issue that the filmmakers feel strongly about. The recent Oscar
winners An Inconvenient Truth, which
deals with global warming, and The Cove,
about dolphin fishing in Japan, are two examples. Sometimes they tell a story
of events long ago, perhaps bringing to the public’s attention events they
otherwise would have known little to nothing about. Those we might refer to as
historically educational documentaries. These include just about every
Holocaust documentary in existence. Some are just plain good stories and would
make for an emotionally moving experience if adapted into a narrative film.
Last year’s Oscar winner Undefeated
as well as Man on Wire from several
years ago come to mind. But while I sat through How to Survive a Plague, one of this year’s Documentary Feature
nominees, I kept thinking it felt so strangely anachronistic.
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