Spotlight Movie Review

Thankfully after the sour taste of Truth, a journalism movie with good intentions but very poor execution and understanding of proper journalism, Spotlight came along to remind us that there are people who get it. They get that investigative journalism can be a tool and a force for change and for good and that the ends in themselves are not always justified even if your story is right, or is most likely right. Good journalism requires good, fair, and accurate reporting. It’s about dogged determination in getting people to talk or reveal secrets. Spotlight, directed by Tom McCarthy and co-written by him and Josh Singer, sis the best movie about the process of investigation and what goes into reporting a story since All the President’s Men.

Avengers: Age of Ultron Movie Review

Does it really matter what anyone thinks of a movie like Avengers: Age of Ultron? These kinds of movies don’t live and die by either critical or popular opinion. They are guaranteed to rake in huge revenue not only at the box office, but through merchandising tie-ins. The hype and excitement, the feeling of its being a cultural event THE movie you must see this summer (or early spring as it opened in early May) ensure that hordes of people will go to see it. And those multitudes have been programmed from decades of action-packed, effects-laden event movies to believe that all they have to do is stimulate the physical senses. As long as lots of stuff blows up, implodes, collapses, cracks, breaks, splinters, and crunches accompanied, of course, by appropriately deafening sound effects, then the movie has accomplished its primary goal.

Foxcatcher Movie Review

One of the lesser known footnotes to modern Olympic history is the relationship of John Du Pont to the Olympic wrestling gold medalist brothers Mark and Dave Schultz. It’s a funny thing that no one pays much attention to the sport of wrestling outside of the quadrennial Olympic cycle, but there’s something so quintessentially American about the sport Of course it’s been around since the ancient games of Greece and eastern Europeans often excel at it, but the American ideal is intrinsically bound to it. It’s a sport based on physical confrontation one-on-one. You succeed based on your own abilities. It is a total make-it-or-break-it scenario. It’s about a fiercely intense combination of brute strength and cunning strategic skills. You have to be tough and strong, but also to outwit your opponent.

Now You See Me Movie Review

First published at Mostly Movies on 11 June 2013.

It opens with an impressive magic trick – one that is played on you, the movie audience – as Jesse Eisenberg, playing street magician Daniel Atlas plies a card trick for both his fictional street audience and the camera. I will admit to having been duped by the card trick even though I knew it was really a trick of digital effects more than anything else. That, unfortunately, is the method behind most of the magic in Now You See Me, a movie about magicians pulling off one of the greatest tricks in history that fails to enthrall as magic and just barely holds up even as movie magic.

The Avengers Movie Review

A funny thing started happening in my mind a few days after seeing The Avengers – I actually began feeling like I wanted to see it again. This after coming out of it with the usual lackluster feelings I have after another superhero movie. The bar has been set so low for our expectations when it comes to the latest incarnation of some colorful but troubled person with special powers that we think of films as uninteresting as Spider Man 2 and Iron Man as great works of art. I enjoyed those films almost as much as anyone I suppose and I agree they are among the best the genre has to offer, but as far as I can tell the only thing that sets them apart from junk like The Fantastic Four is a slightly better screenplay and at least an attempt at something deeper and richer beyond blowing stuff up real big and loud.

The Kids Are All Right Movie Review: A Typical American Family - Made from a Sperm Donor

Annette Bening is one of the lucky few Hollywood actresses who has transitioned gracefully into middle age without being cast aside for younger ingénues. I believe she’s done this by consistently choosing good material that reflects her maturity and professionalism as an actress. Her performance as Nic in The Kids Are All Right is so good it almost demands your full attention or else you might miss the fact that she’s acting.

That is the real shame of it in terms of recognition. Awards voters tend to reward the flashier performances, hence the reason Bening was Oscar nominated for her diva roles in American Beauty and Being Julia. Those performances almost announce, “Watch me Acting!”

Martin Scorsese's Shutter Island Movie Review

It’s hard to avoid seeing the parallels between Shutter Island and Inception, Leonardo DiCaprio’s two films from this year. Both deal heavily with illusion versus reality and the way we perceive the world. They both deal with madness, the former more than the latter. In both films the driving force behind DiCaprio’s characters’ actions is the tragic loss of his wife. And the soundtracks of both films are characterized by the droning sound of low horns in the orchestra, which in this film is a reminder of a ship’s foghorn. Although the two films have similarities in their subject matter, they could hardly be more different in terms of tone and directorial approach.

Movie List: Contemporary Screen Actors Very Much Deserving of an Oscar

Winning an Academy Award takes a kind of perfect storm confluence of events.

It's not just talent that will get you there. Just look at Al Pacino, who suffered 7 losses (including monumental performances in classic films such as The Godfather, Serpico and Dog Day Afternoon) before finally taking the prize for Scent of a Woman, the least deserving of all his nominated performances. Many people say the same for Paul Newman who finally won for The Color of Money.

Certainly talent plays a big part, but it's also necessary to have the right role. Most people recognize that certain roles are juicier than others, thus garnering more attention and awards. The key types include biographical characters, preferably heroic in some way (George C. Scott and Ben Kingsley); disabled (mentally or physically) individuals (Tom Hanks and Geoffrey Rush, among many others); going ugly or playing against type (Charlize Theron and Denzel Washington).

It also helps to be a fairly well-established actor to win the award. It is more common for women to win the Oscar for debut or early career performances than for men, but still, the vast majority of winners, particularly in the lead categories, are well-liked Hollywood actors.