The Hunger Games:
Mockingjay Part I has an unwieldy title thanks to the decision long ago to
divide the third book in Suzanne Collins’ trilogy into two movies. Let’s face
it, this is a business decision much more than an artistic choice. It’s a means
o doubling revenue for a single story. I feel no discussion of this series can
be complete without considering that decision.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Francis Lawrence. Show all posts
Showing posts with label Francis Lawrence. Show all posts
Thursday, April 2, 2015
Friday, December 20, 2013
The Hunger Games: Catching Fire Movie Review
The Hunger Games:
Catching Fire does just about everything a studio wants from its sequels.
It basically repeats the successful formula of The Hunger Games, but adds a new bevy of recognizable Hollywood
faces. The one thing it mercifully resists is ramping up the action. The Hunger Games was an exercise in Gary
Ross’s control and his successor Francis Lawrence follows in his footsteps,
keeping the majority of the action within the centerpiece installment of the “games”
themselves even while the stakes have been greatly increased.
Monday, November 1, 2010
I Am Legend Movie Review: A Legend for the Wrong Reasons
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| Robert Neville (Will Smith) and Sam stare down the Dark Seekers. |
In the opening moments of I Am Legend, the 2007 film based on Richard Matheson’s 1954 novel, Robert Neville (Will Smith) sneaks up on a deer grazing on the streets of New York after chasing it away from a scampering herd in midtown Manhattan. Suddenly a female lion pounces on the deer, stealing what would have been several nice meals for the presumed last man on Earth. The lioness is swiftly followed by her cubs and a stoic male waiting for his share and staring down Neville until he decides the better part of valor is to live to hunt another day. In this sequence the hunter striving for survival is supplanted by a different type of hunter also acting out of self-preservation, suggesting the theme of the source novel – a promise the film never lives up to.
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