One of the lesser known footnotes to modern Olympic
history is the relationship of John Du Pont to the Olympic wrestling gold
medalist brothers Mark and Dave Schultz. It’s a funny thing that no one pays
much attention to the sport of wrestling outside of the quadrennial Olympic
cycle, but there’s something so quintessentially American about the sport Of
course it’s been around since the ancient games of Greece and eastern Europeans
often excel at it, but the American ideal is intrinsically bound to it. It’s a
sport based on physical confrontation one-on-one. You succeed based on your own
abilities. It is a total make-it-or-break-it scenario. It’s about a fiercely
intense combination of brute strength and cunning strategic skills. You have to
be tough and strong, but also to outwit your opponent.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Channing Tatum. Show all posts
Showing posts with label Channing Tatum. Show all posts
Wednesday, January 28, 2015
Sunday, February 17, 2013
Side Effects Movie Review
Like most avid filmgoers, I too hope Steven Soderbergh
isn’t being genuine when he claims Side
Effects is his last film before retiring. He is one of the few directors
currently working in Hollywood who can elevate a standard genre film above its
perceived limitations. Even when he’s off his game, his films are usually very
good. Films like Magic Mike and Haywire didn’t exactly set my world on
fire, but they would have been utterly forgettable trash in the hands of a
lesser artist. Side Effects similarly
didn’t have me begging for more, but as a crime thriller in the mode of a lone
wolf investigator trying to clear his name I can think of a few worse examples
and hardly any better.
Monday, January 14, 2013
Short Cut Review: Magic Mike
A Short Cut Movie Review is normally less than 400 words, but in some cases may go slightly over. This is my attempt to keep writing about as many films as I see without getting bogged down with trying to find more to say. They are meant to be brief snapshots of my reaction to a movie without too much depth.
Steven Soderbergh's slick direction elevates what would otherwise be a formulaic ride through familiar territory. I'm still not convinced, despite Soderbergh's continued insistence on casting Channing Tatum, that he's much of an actor. Matthew McConaughey, on the other hand, is just marvelous in the role of a brash male strip club owner, a guy working the small time who dreams big. It's all beautifully photographed, the screen is often full of hard male bodies (there's a little bit of female flesh tossed in some early scenes), and it generally feels fresh and alive.
Steven Soderbergh's slick direction elevates what would otherwise be a formulaic ride through familiar territory. I'm still not convinced, despite Soderbergh's continued insistence on casting Channing Tatum, that he's much of an actor. Matthew McConaughey, on the other hand, is just marvelous in the role of a brash male strip club owner, a guy working the small time who dreams big. It's all beautifully photographed, the screen is often full of hard male bodies (there's a little bit of female flesh tossed in some early scenes), and it generally feels fresh and alive.
Thursday, February 2, 2012
Haywire Movie Review
Before going to see Steven Soderbergh’s Haywire I kept referring to it as “the
ass-kicking movie.” It’s hard to argue that I was wrong in my terse
description. The whole thing is a ruse to showcase the talents of Mixed Martial
Arts competitor Gina Carano in several brutal action fight scenes.
The film opens with a cracker of a fight scene. The stage
is set in a tranquil roadside diner somewhere in upstate New York. Mallory
(Carano) approaches cautiously, enters and sits down. She’s soon joined by
Aaron (Channing Tatum) and their conversation reveals tidbits of a plot we’re
not yet privy to. The dialogue here is not the lazy expository garbage of your
typical action film. Instead they speak like characters who already know the
history and have no concern for the audience’s knowledge. Suddenly and without
warning, Aaron has thrown his coffee in Mallory’s face and smashed the cup on
her head before they start brawling in the tight confines between the counter
and the booths.
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