The difference between bad acting and good acting is
fairly obvious to most people. It’s the difference between stiff mimicry and
genuine imitation, or even expression, of emotion. But to distinguish between
good and great acting is something else. There’s a much more subtle
distinction. It comes down not only to how well the actor reads a line of
dialogue or how convincingly he portrays an emotional moment, but to the
choices he makes and the wholesale embodiment of the emotional dips and rises
that the scene demands. I can understand how an actor depicts certain emotions.
I can imagine working myself up to a frenzy for a manic scene or well up with
anger to express rage. I can even imagine pushing myself to a dark place to
show sadness or melancholy. But as Captain Richard Phillips, the cargo ship
captain who was held hostage for several days by Somali pirates in 2009, Tom
Hanks gives us one final scene that is so off-the-charts good, it mesmerizes
and reveals exactly how brilliant his choices were for the first two hours.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Billy Ray. Show all posts
Showing posts with label Billy Ray. Show all posts
Wednesday, October 23, 2013
Saturday, April 14, 2012
The Hunger Games Movie Review
I like futuristic dystopia stories for what they suggest
about humanity at present and where we are ultimately headed if we continue
down certain paths. But I generally like the vision to make some sense. I don’t
necessarily demand a lot of back story and exposition to explain how the future
became such as it is, but I would like it to make some sense according to what
I know of the world today. Even when our real life timeline inevitably reaches
the fictional year of some such movie or story and it turns out the vision hasn’t
really panned out, in the best ones we can find some parallels and maybe say, “Well,
it’s not 100 percent accurate but I can still see it as a possibility.” The
year 2001 came and went and although we have yet to develop the capabilities to
forge deep space travel as depicted in 2001:
A Space Odyssey, we have been to the moon since the film’s 1968 release and
humanity has explored (via unmanned probes) the far reaches of our solar
system. Blade Runner presents a
vision of Los Angeles in 2019 that is not close to coming to fruition, but
still looks like a possibility in some more distant future.
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