Withnail & I Movie Review: 25 Years Ago This Month

In its first 15 minutes I half expected Withnail & I, Bruce Robinson’s semi-autobiographical tale of two unemployed actors boozing it up in the English countryside, to become a Beckett-influenced sojourn into existential trappings. While the two titular characters wallow in misery in their wretched London flat it begins to feel like two souls trapped in an endless loop. A little more happens than a bit of Waiting for Godot.

This was Richard E. Grant’s film debut playing Withnail and here he perfected his signature sneer, off-hand sarcastic remarks, and general temperament of displeasure with everything. His friend, flatmate and fellow struggling actor’s name is never spoken, although Marwood can be seen on an envelope. Played by Paul McGann he is no less a brooding personality than Withnail, although he is more replete with angst and a general queasiness about everything.

Hugo Movie Review

This review is based on the 3D version of the film. As this is only the second film I’ve seen in the contemporary 3D style I don’t feel I’m familiar enough with its uses and implementations to 100% accurately judge whether it’s any good or not. However, I have taken the liberty of commenting on my reaction to the 3D as I believe it is the critic’s duty to report his response to a film as completely as possible.

When I read that Martin Scorsese was going to make his next film in 3D and it was also going to be an adaptation of Brian Selznick’s children’s picture novel The Invention of Hugo Cabret, my first reaction was to be simply dumbfounded. Why would the director of so many dark and violent films that deeply explore the human condition venture into such new territory? And why would the man who still insists on using film stock, a man who supremely values film history, shoot in 3D? Surely this must have been some kind of total commercial sellout. Well, the final judgment is yet to be determined as it often takes years for the critical and audience response to render a final verdict on a piece of pop culture’s place in the canon, but after seeing it I can say it makes a lot more sense now that Scorsese was drawn to this particular story and this particular use of 3D technology to make Hugo.