Closed Circuit
is about as grim and pessimistic a view of governments and spy agencies as you’ll
get at the movies, but don’t be fooled by the adverts that tout its having the
same producers as Tinker Tailor Soldier
Spy. That was a smart, taut, realistic, and pleasurable spy thriller. This
is a derivative of every other spy thriller with the exception of an ending
that doesn’t have us cheering star Eric Bana as the hero and champion of truth
and righteousness.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Rebecca Hall. Show all posts
Showing posts with label Rebecca Hall. Show all posts
Friday, September 6, 2013
Sunday, December 12, 2010
The Town Movie Review: Ben Affleck's Second Film as Director Shows He's Not a One-Hit Wonder
Film noir of the 1940s and 50s, with its dark subject matter, antihero protagonists, chiaroscuro lighting and often down endings, is largely regarded as an offshoot of the place of the American psyche following the harrowing years of WWII. Likewise, the resurgence of the genre, dubbed neo-noir in the 1970s (including films like Chinatown and The Long Goodbye), reflected the public’s attitude toward the downward spiral of the American empire in the wake of Watergate and Vietnam.
So one might think that today’s political climate – two wars with no end in sight, one of them started on dubious evidence, a financial crisis the likes of which no one has seen in more than 70 years – would foster a another slew of noir films. And it has – in a way. In recent years, novelists and film makers have veered toward noir subject matter, but this neo neo-noir doesn’t look a whole lot like the genuine article. This new version tends to come with happy endings and a lighter touch. Will audiences simply not accept the unhappy ending these days in spite of the great challenges we face?
Tuesday, October 12, 2010
Woody Allen's Vicky Cristina Barcelona Movie Review
Over the decades Woody Allen has continually returned to the same themes again and again, revisiting them with different characters and settings, always closing his films with a satisfactory resolution, but continuing the ambiguity in his next outing. Chief among these themes has been love, passion and fidelity.
His 2008 film Vicky Cristina Barcelona looks at two sides of the same coin in Vicky (Rebecca Hall), the pragmatist looking for a stable dependable love which she has in her fiancé, Doug, and Cristina (Scarlett Johansson), the impetuous free spirit open to new experiences and more willing to find love in whoever comes along. The two are best friends recently arrived in Barcelona – Vicky studying Catalan identity and Cristina tagging along for adventure. Luckily for them and for the audience Vicky has a family connection to Mark and Judy (Kevin Dunn and Patricia Clarkson), who give them a place to stay in their picturesque villa.
His 2008 film Vicky Cristina Barcelona looks at two sides of the same coin in Vicky (Rebecca Hall), the pragmatist looking for a stable dependable love which she has in her fiancé, Doug, and Cristina (Scarlett Johansson), the impetuous free spirit open to new experiences and more willing to find love in whoever comes along. The two are best friends recently arrived in Barcelona – Vicky studying Catalan identity and Cristina tagging along for adventure. Luckily for them and for the audience Vicky has a family connection to Mark and Judy (Kevin Dunn and Patricia Clarkson), who give them a place to stay in their picturesque villa.
Thursday, July 1, 2010
Dorian Gray Movie Review: Where, Oh Where Has My Little Soul Gone?
This film has been released commercially in some European markets and will get a direct-to-DVD release in the US on 10 August.
In Oliver Parker’s latest Oscar Wilde adaptation (with a screenplay by novice Toby Finlay), Dorian Gray, Ben Barnes spends most of his time in the titular role standing around looking pretty. And that’s pretty much what Wilde’s original novel was about, wasn’t it? It was about this beautiful young man who stays beautiful.
No it wasn’t! It was a serious examination of the power of vanity on the human soul and the consequences of trading your soul for everlasting beauty. The novel was infused with Wilde’s classic wit, expressed mostly through the character of Lord Henry Wotton, mostly absent here except for the occasional biting comment expertly delivered by Colin Firth, who is the only actor in the film who seems up to the challenge of, you know, acting.
In Oliver Parker’s latest Oscar Wilde adaptation (with a screenplay by novice Toby Finlay), Dorian Gray, Ben Barnes spends most of his time in the titular role standing around looking pretty. And that’s pretty much what Wilde’s original novel was about, wasn’t it? It was about this beautiful young man who stays beautiful.
No it wasn’t! It was a serious examination of the power of vanity on the human soul and the consequences of trading your soul for everlasting beauty. The novel was infused with Wilde’s classic wit, expressed mostly through the character of Lord Henry Wotton, mostly absent here except for the occasional biting comment expertly delivered by Colin Firth, who is the only actor in the film who seems up to the challenge of, you know, acting.
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