What a beautiful little movie Ira Sachs made with Love Is Strange. Alfred Molina and John
Lithgow play George and Ben, a same sex couple who get married (thanks to a
change in New York law) after almost forty years together as partners. George,
who works as a music educator in a private Catholic school, is fired for not
upholding the values of the Church. Essentially, his marriage stands in
conflict with the public image of the Church. The decision is not unlike any
company firing someone for publicly engaging in a behavior that reflects poorly
on company values. However, his colleagues and most of his students and their
parents knew he was gay and lived with Ben.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Marisa Tomei. Show all posts
Showing posts with label Marisa Tomei. Show all posts
Wednesday, February 4, 2015
Tuesday, April 10, 2012
Chaplin Movie Review
The problem that plagues most biographical films is the
way they try to encompass far too much. In my experience, the best films about
historical figures have honed their stories to focus on one period in their
lives or on one particular aspect. It’s nearly impossible to depict an accurate
sense of a person’s life in the space of a feature film. How do you distill
what usually fills several hundred pages of printed words to a story that fits into
so short a time span? Richard Attenborough tried it with Gandhi and though the result is a well-regarded film, it is also
remembered by most people (myself included) as more than a bit boring. Several
of Attenborough’s films focus on real historical figures, but his next straight
biographical film was Chaplin in
1992.
Thursday, October 27, 2011
The Ides of March Movie Review
The Ides of March,
a political drama written and directed by George Clooney arrives
just as many people in the country are beginning to wonder if President Obama
is capable of sticking to the principals he lauded in his campaign or if he is
no different than any other politician, making compromise after compromise for
political expediency without regard for the values he claims to uphold. That
the movie’s subject matter fits snugly into the current political landscape is
a bit serendipitous, being based on a play originally produced before Barack
Obama was elected to the Presidency.
Monday, October 3, 2011
25 Years Ago This Month: October 1986
25 Years Ago I was probably just beginning to learn my multiplication table in Mrs. Hansen's third grade class. I don't remember much else about what I learned that year. I remember studying European geography, learning the countries and possibly their capitals. Yugoslavia was still a unified country and I remember, even at age 8, that my classmates were immature in laughing at the name because it was like, "You go slav." The things that stick in our memories.
I certainly wasn't going to the movies so much, but I've seen a half dozen or so of the films that opened in October of 1986. There's little that's particularly notable. The list of releases contains the usual mix of prestige projects aiming for the awards season and popular fluff (action and comedy, mainly) to keep the investors happy.
Monday, November 29, 2010
Cyrus Movie Review
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| Jonah Hill and Marisa Tomei have an especially close mother-son bond. |
Cyrus is a movie about a war of nerves between two emotionally stunted men. John C. Reilly plays John, a man stilled scarred by a divorce seven years ago, and his foil is Cyrus (Jonah Hill), the son of a woman he thinks he may have a future with. The film is directed by Jay and Mark Duplass, who have a couple of minor features and short films to their credit, but finally struck some luck by getting serious financial backing from Scott Free Productions, the production company owned by Tony and Ridley Scott.
Reilly has almost made an entire career out of playing big lovable lugs who wear their emotional insecurities on their sleeve. John, the character, bears a number of similarities to Reilly’s character in Magnolia, also a divorced man perhaps a little too open with his feelings and looking for the right woman.
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