25 Years Ago This Month: Biloxi Blues Short Cut Movie Review

A Short Cut Movie Review is normally less than 400 words, but in some cases may go slightly over. This is my attempt to keep writing about as many films as I see without getting bogged down with trying to find more to say. They are meant to be brief snapshots of my reaction to a movie without too much depth.

Neil Simon’s Biloxi Blues picks up several years after his Brighton Beach Memoirs left off. Eugene Jerome (Matthew Broderick) is now finished with high school and headed for Army basic training in Biloxi, Mississippi, ahead of deployment to the War in the Pacific. His comrades in training include a muscle head and obnoxious jerk named Wykowski (Matt Mulhern); a New York intellectual, Arnold Epstein (Corey Parker); a dim-witted loud mouth, Selridge (Markus Flanagan); and a sort of nervous young soldier lacking in confidence (Casey Siemaszko).

Eugene goes through another coming-of-age tale, this time learning about the rigors of dealing with different personalities and backgrounds in a high stress environment, losing his virginity, and falling love (with the sweet and lovely Daisy, played by the equally sweet Penelope Ann Miller). Eugene, with his never-ending wisecracks, and Epstein, with his stubborn adherence to fairness, justice, and logic and refusal to go along with the army’s code of following orders, are foils for their drill instructor, Sgt. Toomey. In Christopher Walken, director Mike Nichols found the perfect actor to portray the soft-spoken, but menacing Toomey. He doesn’t get results by braying orders and insults a la Sgt Hartman in Full Metal Jacket, but by constantly undermining the appearance that humor and laughter will save these boys. His methods seem unorthodox from an outsider’s perspective, but barring a final act of madness he seems entirely reasonable as a man charged with training boys for war. I believe this was my first exposure to Walken and in a way it’s the quintessential Walken role and undertaken long before he became an object of parody and imitation.

Biloxi Blues works better as a movie than its predecessor thanks to Nichols’ direction. His vast experience in both film and stage means he’s able to make Simon’s screenplay more open while also working well with the actors to breathe fresh life into the dialogue. It never really feels like it was written with a live audience in mind.

25 Years Ago This Month: March 1988

We'll start with the movies I've seen:

At the time Switching Channels was on repeat on cable TV, I was still too young to care about these kind of adult comedies, though I did see most of it, albeit in bits and pieces. It is at least the fourth iteration of Ben Hecht's play The Front Page, which was also the source material for the far superior and classic His Girl Friday. This 80s version is an updating which takes the story awy from print media and into the TV broadcast news station. Unfortunately, Broadcast News came out the previous year and was a much better movie on similar subject matter. How long before we get another updating focusing on Internet news?

I guess I liked Vice Versa for some reason back when I was a kid. It was one of several switcheroo films, in which two minds change places, around that time. With Judge Reinhold and Fred Savage playing father and son whose minds change bodies through some kind of voodoo magic, it's not much different from Dudley Moore and Kirk Cameron in Like Father, Like Son the previous year.

Seven Psychopaths Movie Review

What is it with filmmakers who start out with some quirky little movie that gets a lot of recognition for its panache, or great writing, or great storytelling and then they’re given a big budget and bunch of movie stars and things just seem to run away from them? Martin McDonagh started out with In Bruges, which signaled the start of a promising career in the gangster/hitman genre, the kind of talky pictures about wretched individuals who nevertheless epitomize cool made famous by Quentin Tarantino. Seven Psychopaths is his second feature film, an absurd farce of a story about an Irish screenwriter named Marty (autobiographical much?) trying to write a movie called Seven Psychopaths (self-referential much?).

Dark Horse Movie Review

In the first scene of Dark Horse, the camera opens on a dancing bride and groom surrounded by their wedding guests, also enjoying the festivities. Will this be a film about the beginning of a romantic marriage? No! This is a Todd Solondz film so the camera soon settles upon the two people at the wedding who aren’t dancing. They also happen to be mid-30s depressives, each one a terrible case of arrested development and on the brink of complete breakdowns.

Wedding Crashers Movie Review

This review was written at the time of the film's 2005 release, but not published until now.

It is ostensibly Vince Vaughn’s performance that drives the hard laughs in Wedding Crashers. Although it is otherwise a fun and often hysterical movie, Vaughn’s role as the foil to Owen Wilson’s more or less straight man provides the most brevity. His rapid-fire monologues are among the funniest moments, as when he pours the truth out to a priest over a glass of scotch or when explaining to his secretary why he has no patience for the world of dating.

The movie introduces us to Jeremy and John (Vaughn and Wilson, respectively) as divorce mediators who have great chemistry between them to the point that they are able to lull a bickering soon-to-be-divorced couple into submission and compromise. The chemistry between the two actors, who have worked together in the past but never shared top billing, is palpable. We believe that Jeremy and John are good friends.

"And Now, Little Man, I Give the Watch to You": Pulp Fiction Analysis Part XI

Go to Part X: "That was fuckin' trippy."

Butch, as a child, sits watching television. His mother enters and introduces him to Captain Koons (Christopher Walken), who was in the Vietnamese POW camp with Butch’s father. Koons tells Butch about a wristwatch bought in Knoxville that belonged to private Doughboy Erine Coolidge (Butch’s great granddad). He wore it all during his time in The Great War. When his son, Dane, went off to WWII he took the watch with him. Before dying in battle he made sure the watch would be delivered safely home to his infant son (Butch’s dad). He then took the watch with him to Vietnam, but didn’t survive the prison camp. Koons promised to take the watch to deliver it to Butch.

Modern Classic Movie Review: Pulp Fiction

As a special treat to celebrate my 100th movie review posted to this site (I've actually written more than 100, but they haven't all been posted here) I decided to write a full length review of the film that got me interested in film in the first place.

Additionally, over the next few weeks I will post, in pieces, the full analysis I did on the film several years ago. Keep your eyes open for that starting this week.

It’s amazing to me that after roughly twenty viewings from beginning to end plus an exhaustive shot-by-shot study of it, there are still moments in Quentin Tarantino’s Pulp Fiction that make me smile, chuckle or even downright surprise me: The Wolf’s smile of appreciation for the delicious coffee served up by Jimmy; Mia Wallace’s tomato joke to break the tension after an intense scene. Incredibly, watching it again for this review, I even pulled out something new that I had never picked up on before. And it wasn’t even a minor detail, but one that ties into one of the major themes of the film.