Showing posts with label Matthew Broderick. Show all posts
Showing posts with label Matthew Broderick. Show all posts

Saturday, October 24, 2015

Election Movie Review

Alexander Payne’s second film was a brilliant little gem called Election, a satirical look at electoral process through the prism of a high school student council election. The screenplay was adapted from Tom Perrotta’s novel by Payne and Jim Taylor and is as true to high school life and character as it is cynically observant of political ambition.

Reese Witherspoon achieved major breakout success playing Tracy Flick, the little bundle of gumption and up-start attitude that comes across as admirable in a teenager, but which has the potential to transition into an adulthood of stepping on everyone to achieve her goals. Matthew Broderick plays the popular history teacher, Jim McAllister, who oversees student government elections. He teaches the students civics and about the difference between morals and ethics – a line he would do well to consider later in the film when he manipulates the election results and cheats on his wife. Mr. McAllister is one of those teachers that students remember their whole lives. He is dedicated and enthusiastic and truly a stand-up guy, even standing beside his friend and colleague Dave Novotni after it’s discovered he’s been having an affair with sixteen-year old Tracy (the one detail I find sort of unbelievable in an otherwise perfect movie because girls like Tracy are not typically sexually ambitious and aren’t targeted by men like Dave.

Wednesday, March 20, 2013

25 Years Ago This Month: Biloxi Blues Short Cut Movie Review

A Short Cut Movie Review is normally less than 400 words, but in some cases may go slightly over. This is my attempt to keep writing about as many films as I see without getting bogged down with trying to find more to say. They are meant to be brief snapshots of my reaction to a movie without too much depth.


Neil Simon’s Biloxi Blues picks up several years after his Brighton Beach Memoirs left off. Eugene Jerome (Matthew Broderick) is now finished with high school and headed for Army basic training in Biloxi, Mississippi, ahead of deployment to the War in the Pacific. His comrades in training include a muscle head and obnoxious jerk named Wykowski (Matt Mulhern); a New York intellectual, Arnold Epstein (Corey Parker); a dim-witted loud mouth, Selridge (Markus Flanagan); and a sort of nervous young soldier lacking in confidence (Casey Siemaszko).

Eugene goes through another coming-of-age tale, this time learning about the rigors of dealing with different personalities and backgrounds in a high stress environment, losing his virginity, and falling love (with the sweet and lovely Daisy, played by the equally sweet Penelope Ann Miller). Eugene, with his never-ending wisecracks, and Epstein, with his stubborn adherence to fairness, justice, and logic and refusal to go along with the army’s code of following orders, are foils for their drill instructor, Sgt. Toomey. In Christopher Walken, director Mike Nichols found the perfect actor to portray the soft-spoken, but menacing Toomey. He doesn’t get results by braying orders and insults a la Sgt Hartman in Full Metal Jacket, but by constantly undermining the appearance that humor and laughter will save these boys. His methods seem unorthodox from an outsider’s perspective, but barring a final act of madness he seems entirely reasonable as a man charged with training boys for war. I believe this was my first exposure to Walken and in a way it’s the quintessential Walken role and undertaken long before he became an object of parody and imitation.

Biloxi Blues works better as a movie than its predecessor thanks to Nichols’ direction. His vast experience in both film and stage means he’s able to make Simon’s screenplay more open while also working well with the actors to breathe fresh life into the dialogue. It never really feels like it was written with a live audience in mind.

Monday, March 11, 2013

25 Years Ago This Month: March 1988

We'll start with the movies I've seen:

At the time Switching Channels was on repeat on cable TV, I was still too young to care about these kind of adult comedies, though I did see most of it, albeit in bits and pieces. It is at least the fourth iteration of Ben Hecht's play The Front Page, which was also the source material for the far superior and classic His Girl Friday. This 80s version is an updating which takes the story awy from print media and into the TV broadcast news station. Unfortunately, Broadcast News came out the previous year and was a much better movie on similar subject matter. How long before we get another updating focusing on Internet news?


I guess I liked Vice Versa for some reason back when I was a kid. It was one of several switcheroo films, in which two minds change places, around that time. With Judge Reinhold and Fred Savage playing father and son whose minds change bodies through some kind of voodoo magic, it's not much different from Dudley Moore and Kirk Cameron in Like Father, Like Son the previous year.

Friday, April 13, 2012

Project X Movie Review: 25 Years Ago This Month

Where have all the social message movies gone? As I plumb through the films of 25 years ago I continually come up against movies that speak to the socio-historical context of the time. Many of these movies have an agenda. Maybe it’s a lack of hindsight, but I don’t see the same type of issues movies coming from the studios nowadays. More than likely the answer is to be found in the fact that the message movies have always been few and far between, but they are more likely to stand the test of time and be remembered years later.

Jonathan Kaplan’s Project X deals with the issue of animal welfare in the context of the military industrial complex at the tail end of the Cold War. It’s a real do-gooder of a movie that wants to portray the government and especially the military as cold and unsparing as you move further up the chain of command. The top officers and bureaucrats are viewed as calculating and rather inhuman while the enlisted men, serving as surrogates for the average viewer, are compassionate while they follow orders.

Thursday, April 12, 2012

25 Years Ago This Month: April 1987

The Police Academy franchise continued in April 1987 with the fourth installment, subtitled Citizens on Patrol. Each film in the series earned less at the box office than the previous chapter leading me to wonder how they went on to make parts 5, 6, and 7. The only actor who could reasonably be called a star in the entire series is Steve Guttenberg and he bowed out after the third film. Everyone else was famous for nothing other than their roles in this lifeless, flaccid, completely unfunny comedy series. David Spade made his film debut here as one of the titular citizen police officers. Sharon Stone also makes an early film appearance.

Tuesday, May 31, 2011

25 Years Ago This Month: June 1986

Four of the year's top ten films opened in June.

Let's start with Ferris Bueller's Day Off, an absolute favorite of mine (along with all things John Hughes) when I was growing up. It doesn't matter what Matthew Broderick does with his career, he will always be Ferris Bueller singing "Twist and Shout" on a Chicago parade float. When Alan Ruck turned up in Speed in 1994 and then on the comedy series "Spin City" I could only see Cameron Frye. I don't care how much soft porn Mia Sara does, she will forever be embedded in my psyche as Sloane Petersen. And no matter how many teenage boys Jeffrey Jones coerces into posing nude for photos, he will remain, always and forever, Principal Edward Rooney.

Everything I Saw in the 2nd Half of 2025

30 Dec. Hamnet (2025) [cinema]* 28 Dec. #4133 Song Sung Blue (2025) [cinema] 25 Dec. #4132 Marty Supreme (2025) [cinema] 16 Dec. #4131...