Showing posts with label Nat Wolff. Show all posts
Showing posts with label Nat Wolff. Show all posts

Thursday, June 26, 2014

The Fault in Our Stars Movie Review

From the writers of (500) Days of Summer I expected much better in a romance film involving two teenage cancer patients. The Fault in Our Stars, directed by Josh Boone, is not cloying or mawkish, but it is oh so precious – relentlessly so. It is constantly aware of how perfect a movie it’s so desperately trying to be. I can even sort of tell from this movie that the source novel is likely similarly insistent on its sense of perfection in its characters and plotting.

The story is narrated by Hazel (Shailene Woodley), a seventeen-year old with stage four cancer that has left her with a lung ailment that demands twenty-four hour attention from an oxygen tank. Woodley is a talented actress whom I have greatly admired and here she really holds the movie together. Without her performance, exuding youth along with naturalism and a realistic outlook on her situation that you wouldn’t expect from a girl her age, the movie doesn’t work. But Marc Webb’s and Scott Neustadter’s screenplay pushes too hard on those buttons that make Hazel seem too intelligent, too over it, too cynical to go in for the platitudes and clichés associated with her disease.

Wednesday, June 4, 2014

Palo Alto Movie Review

To grow up in a filmmaking family and be constantly surrounded by people who make it their life’s work to tell stories through motion pictures must cause you to absorb the techniques so that you end up with intuition through osmosis. The patriarch Francis Ford Coppola went to film school to learn his trade and honed his skills while making some of the great classics of American cinema. His knowledge passed to his daughter Sofia, who has made some excellent films herself. Other members of the extended family have had success as actors, writers, and producers. Now comes Gia Coppola, granddaughter to Francis, and niece to Sofia, with her directorial debut Palo Alto, which she adapted from James Franco’s story series of the same name.

Monday, September 2, 2013

Short Cut Movie Review: Admission

A Short Cut Movie Review is normally less than 400 words, but in some cases may go slightly over. This is my attempt to keep writing about as many films as I see without getting bogged down with trying to find more to say. They are meant to be brief snapshots of my reaction to a movie without too much depth.

Paul Weitz was very wise not to allow himself to get pigeonholed into making more movies like his debut feature, American Pie, which he co-directed with his brother. Audiences were lucky that American Pie wound up in the hands of directors who were sensitive to character issues. That film was notable for being outrageously hilarious while not losing sight of the fact that the audience still needs to connect with the characters on the screen. Weitz has continued to bring that human touch to all of the films he directs, especially as he has moved away from outright comedy to stretch himself with dramatic films.

Admission is his latest, released earlier this year and now available on home video. Like About a Boy (probably the best film he’s made), it is a drama, but with plenty of comedy born of the absurdities of everyday life. It is funny because its stars, Paul Rudd and Tina Fey, can’t be anything but hilarious in their delivery. Fey is a Princeton admissions officer and Rudd is the founder and director of an alternative school. He’s identified one of his graduating seniors as an exceptionally bright student who has nevertheless failed to excel academically. He thinks the kid deserves a chance to attend Princeton. Oh, and he believes Fey is the boy’s biological mother who gave him up for adoption back in college.

Karen Croner’s screenplay, based on the novel by Jean Hanff Korelitz, is part family comedy and part romantic comedy. But this isn’t your average rom-com with pratfalls and cheap plot points recycled over and over for the last 75 years. It mostly feels natural and honest. The film is greatly aided by some fantastic supporting cast members including Lily Tomlin as Fey’s hippie feminist mother; Michael Sheen as her feckless boyfriend; and Wallace Shawn as the Dean of Admissions.

Everything I Saw in the 2nd Half of 2025

30 Dec. Hamnet (2025) [cinema]* 28 Dec. #4133 Song Sung Blue (2025) [cinema] 25 Dec. #4132 Marty Supreme (2025) [cinema] 16 Dec. #4131...