From My Collection: Ghost World Movie Review

It’s sort of a rite of passage of being a teenager that you think you’ve got the world figured out, have everyone’s number, and believe your own views to be absolutely right. I suppose it takes most people until sometime in early adulthood to realize that you didn’t know half of what you thought you did when you were seventeen. Some teenagers (I might have been one of them) take it a step further and believe there is an authentic way of living and that just about everyone walking this earth is a big phony. Think Holden Caulfield. It should suggest something important that he was my hero at fifteen and then a sad tragedy at thirty.

The Grand Budapest Hotel Movie Review

I’ve just written about Rushmore and touched on the great stylistic difference between Wes Anderson’s earliest films and the techniques he uses in his latest. The Grand Budapest Hotel is a great example of how Anderson’s stylized world, whimsical flights of fancy, and self-conscious artifice have grown and joined together to blend into a harmonious vision.

I was a true Anderson enthusiast through The Royal Tenenbaums, but he lost me until Fantastic Mr. Fox, which struck me as the absolute perfect representation of what he has always tried to accomplish. The Grand Budapest Hotel has brought him back completely into my good graces and though it contains moments that are so previously Wes Anderson-y that it risks becoming a parody of his own style, it somehow reached me in surprising and new ways.

Best in Show Movie Review

Christopher Guest got a taste for the so-called mockumentary sub-genre when he wrote and starred in Rob Reiner’s This Is Spinal Tap, the classic comedy that pretends to be a documentary about an 80s hair metal band. Starting in the mid-90s, Guest began writing and directing his own mockumentary style films beginning with Waiting for Guffman, which focuses on a small town community theater production. My favorite of his films, however, is Best in Show, about the quirky characters involved in the fictional Mayflower Kennel Club Dog Show in Philadelphia.

Moonrise Kingdom Movie Review

The whimsical world of Wes Anderson has returned in Moonrise Kingdom, his seventh feature film and just the latest to be populated by characters from a fantasy vision of the world that lies just beyond anyone’s actual experience of it. Anderson likes to set his films in veritable islands unto themselves: a Manhattan mansion that seems part of a fictionalized New York I’ve never seen; a private school that offers a most ambitious student a lot of leeway; a train across the Indian subcontinent; a submarine (that one offered up his most capricious film to date); and now a literal island that looks (on the map presented by Bob Balaban’s on camera narrator) a little like Fisher’s Island, NY.

Classic Movie Review: Woody Allen's Deconstructing Harry

The films of Woody Allen tend to be united by several common themes. Just about all of his films deal with love, relationships and infidelity in one way or another. Many of his films are largely viewed as semi-autobiographical. Or at the very least the characters played by Allen seem very much to be variations on his real life persona. Somehow he manages to unite several of these major themes in the hilarious and deeply philosophical Deconstructing Harry.

When last I saw it during its theatrical release in 1997 I was a Woody Allen amateur. More than a decade later I’ve seen all but one of his 39 feature films, so revisiting it now was quite a treat. It’s still one of most sharply funny movies, written in dialogue littered with great wit and insight.

Allen plays Harry Block, a writer suffering from writer’s block as he prepares to accept an award from his old university. In the meantime, he spends time reflecting on his past wives and girlfriends, the cheating, the deceit and also the characters in his book, who very closely parallel real life.