Kingsman: The Secret Service Movie Review

I continue to fall victim to these early-in-the-year releases that get good reviews, forgetting every year that for the most part, these films are not very good. It’s just that critics are desperate to grasp at something remotely interesting in the early months on the calendar. Kingsman: The Secret Service is one of these movies. It’s all flash and panache, giving the illusion of something stylish and innovative. This is Matthew Vaughn’s second film adapted from a Mark Millar comic. Kick Ass was the first and, truth be told, violence is treated equally in both films, which tells me that Millar and Vaughn see no difference between violence committed by and against a twelve-year old girl and English gentlemen.

X-Men: First Class Movie Review

Superhero movies used to mercifully few and far between. Now they’re ubiquitous along with their various sequels, prequels and spinoffs. I understand why Hollywood studios continue to return to the same source material. It’s guaranteed box office receipts without having to do the heavy lifting of crafting new character. And basically the stories are ready-made clotheslines that have basic garments that always hang on them and the hired writers just have to decide on the occasional undergarment or accent to place alongside the old and familiar. So it is with X-Men: First Class, the fifth iteration of the X-Men franchise, this time going back to the origins of Professor Charles Xavier, Magneto née Erik Lenscherr, and the special school established by Charles to nurture and guide other mutants to learn to control their abilities.

The Debt Movie Review: Questions on Jewish Justice and Vengeance

Vengeance is not Jewish. This is an idea that people throughout history have had difficulty reconciling with their own (at times) warped views of Jewish people. A sense of fairness and justice has primacy in Jewish intellectual and political history. From Shylock to Steven Spielberg’s Munich the question rages on: What is fair and just punishment for a crime and when do we cross the line in to pure revenge.

John Madden’s The Debt, based on the 2007 Israeli film Ha Hov (unseen by me), treads similar ground to Munich, although with far less cunning insight. And I’ve never viewed Steven Spielberg as a particularly insightful or challenging filmmaker. The Debt concerns a fictional Mossad mission to capture The Surgeon of Birkenau, a Nazi war criminal obviously modeled on Josef Mengele, who performed grotesque medical experiments on Jewish and Roma men, women, and children at Auschwitz.

Kick-Ass Movie Review: If You Think This Movie Is Funny, Please Seek Professional Medical Help

The opening, depicted in full in the trailer, shows a man wearing an odd costume with wings standing on top of a New York skyscraper. A voiceover talks about fantasy of wanting to be a superhero. The man leaps from the ledge and plummets head first toward the street below while the crowds cheer. He slams full speed into a taxi cab – dead. This brief sequence is a microcosm of what follows.

I really wanted to like Kick-Ass. Really, I did. I thought the trailer showed great potential for ironic satire. I followed with bemusement the minor uproar over the filthy language that comes out of the mouth of Hit Girl, an eleven year old superhero played by Chloe Moretz. Then the reviews started coming in and some critics were put off by the violence inflicted by and on that same young girl. I thought maybe some of these critics were simply old codgers who were no longer in tune with the hip. Then I saw it and I never thought I would have this reaction to a movie in my life: This movie is morally repugnant.