I’m a big “West Wing” fan, so excuse me if you don’t know
what I’m referring to when I say, “Crime. Boy, I don’t know.” That is a line
from “Posse Comitatus,” the season 3 finale and the lynchpin moment when
President Bartlett decides he’s going to take it to his opponent in the
election. Woman in Gold is the
Holocaust equivalent of that sentiment, an empty gesture at acknowledging
something inexplicably awful.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label courtroom. Show all posts
Showing posts with label courtroom. Show all posts
Thursday, April 14, 2016
Wednesday, April 1, 2015
The Judge Movie Review
The Judge, directed
by David Dobkin from a screenplay by Nick Schenk and Bill Dubuque, is a perfect
example of soft, flat, non-challenging, placating material that is made to
appeal to a demographic of people who watch movie as a means of sedation.
Because it stars two very fine actors in Robert Duvall and Robert Downey, Jr.,
and because it’s a courtroom drama, it is easily digestible to the broadest possible
audience.
Monday, July 5, 2010
Classic Movie Review: 12 Angry Men
When you consider Sidney Lumet’s body of work as a feature film director (Serpico; Dog Day Afternoon; The Verdict; Network), so much of it can be traced back to his debut film 12 Angry Men. This simple little courtroom drama (which has only one scene take place in an actual courtroom), in which a single jury member bent on voting not guilty slowly convinces the other eleven to change their votes, paved the way for his career directing films about justice.
The film is based on a teleplay by Reginald Rose, who also wrote the screenplay. It is certainly idealistic in its moralizing and tub-thumping for the American Way. It’s a film that is in love with itself for representing the idealized version of our justice system. And although some of the scenes feel very stagy, it’s Lumet’s direction that makes the film rise above it all to achieve genuine greatness.
The film is based on a teleplay by Reginald Rose, who also wrote the screenplay. It is certainly idealistic in its moralizing and tub-thumping for the American Way. It’s a film that is in love with itself for representing the idealized version of our justice system. And although some of the scenes feel very stagy, it’s Lumet’s direction that makes the film rise above it all to achieve genuine greatness.
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