Wes Anderson’s filmmaking style has evolved over the
years to such extremes of whimsical fantasy that to revisit his second feature,
1998’s Rushmore, feels tame and
almost like a regular movie experience. He was just beginning to hone his
skills at symmetrical and perfectly fastidiously set-dressed diorama-like
compositions. Compare it to the brand new Grand
Budapest Hotel or even The Royal Tenenbaums,
his follow-up to Rushmore, where you’ll
see clearly compartmentalized sets that resemble a doll’s house, and the
earlier film reveals an artist who was learning what kind of worlds he wanted
to create on film.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Owen Wilson. Show all posts
Showing posts with label Owen Wilson. Show all posts
Sunday, March 23, 2014
Saturday, January 28, 2012
Cars 2 Movie Review
The rational person in me who understands business and
money-making enterprises can grasp why Pixar decided that a sequel to Cars was necessary. But the movie critic,
or more aptly, the fan of cinema in me wishes that studios wouldn’t continue to
make sequels to undeserving films. The first was very high-grossing, but the
worst reviewed of all their films, most of which rank among the best in Hollywood
cinema (animated or not) of the last 15 years. Cars is the only Pixar film with under 90 percent on Rotten
Tomatoes and it’s the lowest scoring on Metacritic. But it grossed nearly $250
million domestic.
Sunday, July 31, 2011
Pixar's Cars Movie Review
Pixar’s Cars was the only film in their continually impressive lineup that I hadn’t seen. This was due in part to the fact that it was released during my first year living abroad and I had quite limited access to English language films that were not dubbed into Spanish. Also, it was the first of the Pixar films to receive only lukewarm critical praise. I had little reason to seek it out until this year which saw the release of the sequel.
At first glance it looks like a difficult sell. It’s the story of a rookie on the racing circuit named Lightning McQueen (voiced by Owen Wilson) whose goal to be the first rookie to win the Piston Cup (Cars’ version of the Indy 500, I suppose). His main rivals are an aging racer named The King and a brash veteran called Chick Hicks (Michael Keaton). After finishing in a photo finish 3-way tie, a 3-car race is scheduled in California. McQueen wants to get there as quickly as possible to schmooze a big sponsor, but fate leads him on a different path – to a small town in the middle of the desert.
Sunday, May 22, 2011
Midnight in Paris Movie Review: City of Lights After Dark
“It is one of the paradoxes of American literature that our writers are forever looking back with love and nostalgia at lives they couldn’t wait to leave.” – Anatole Broyard
Is there no time as good as the present? Is nostalgia the exclusive purview of fools? How does remembering fondly grow out of proportion until it becomes reliving? Gil Pender is stuck in a rut, hamstrung by pervasive thoughts that Paris in the Roaring Twenties was the absolute pinnacle of living. Because Gil is a character in Woody Allen’s latest addition to his perennially expanding oeuvre, he is a writer (of successful, but empty Hollywood screenplays) working on his first novel and saddled with sarcastic wit, passion for the arts, and a healthy dose of self-doubt and insecurity.
Monday, March 21, 2011
Wedding Crashers Movie Review
This review was written at the time of the film's 2005 release, but not published until now.
It is ostensibly Vince Vaughn’s performance that drives the hard laughs in Wedding Crashers. Although it is otherwise a fun and often hysterical movie, Vaughn’s role as the foil to Owen Wilson’s more or less straight man provides the most brevity. His rapid-fire monologues are among the funniest moments, as when he pours the truth out to a priest over a glass of scotch or when explaining to his secretary why he has no patience for the world of dating.
The movie introduces us to Jeremy and John (Vaughn and Wilson, respectively) as divorce mediators who have great chemistry between them to the point that they are able to lull a bickering soon-to-be-divorced couple into submission and compromise. The chemistry between the two actors, who have worked together in the past but never shared top billing, is palpable. We believe that Jeremy and John are good friends.
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