Maybe it’s my love of westerns that made me fall so hard
for John Singleton’s Four Brothers,
his 2005 Detroit-set revenge film and his best work since Boyz
N the Hood. I didn’t realize it then, or even the second time I watched
it, that it’s essentially a modern urban western. The lawlessness of the open
land and small towns has been replaced by the gutted and run down Motor City.
Instead of some evil landowner there’s a crime boss (played by Chiwetel Ejiofor
early in his Hollywood career and long before his star turn in 12
Years a Slave). Replacing the heroic gunslinger is a criminal and his
three brothers, in town for their mother Evelyn’s (Fionnula Flanagan) funeral
and to exact revenge for her murder in what appears to be a convenience store
robbery. Many of the western tropes are there. There are gunfights. There are
shots establishing the landscape, in this cast derelict buildings and
snow-swept (as opposed to wind) open spaces of frozen lakes.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Chiwetel Ejiofor. Show all posts
Showing posts with label Chiwetel Ejiofor. Show all posts
Tuesday, June 16, 2015
Sunday, November 17, 2013
12 Years a Slave Movie Review
The terrible and embarrassing legacy of slavery is a dark
mark on this country. It was a human atrocity that we have only just begun to
understand. It remains, more than 150 years after its eradication, the defining
factor in race relations. White people would not be where they are in terms of
status and privilege without having held black people in bondage. And blacks
continue to bear the burden of that time. I’m not sure any movie could possibly
do perfect justice as a representation of the horrors of slavery, punishments,
beatings, rapes, and other indignities that slaves suffered, but 12 Years a Slave comes closer than
anything I’ve seen. This is possibly the least sanitized version ever put on
film.
Wednesday, May 16, 2012
Serenity Movie Review
Seven years ago I went into the cinema to watch Serenity not knowing anything about it.
I didn’t know anything about its writer and director Joss Whedon, who already
had a cult following for his “Buffy” TV series and its spinoff “Angel.” I had
also never heard of his short-lived series “Firefly,” canceled after a mere 13
episodes, which served as a precursor to the film. All I knew was that I was
totally enthralled by the universe presented on screen.
Serenity’s
amalgamation of the science fiction and western genres was unlike anything I’d
seen to that point and in retrospect it’s almost an obvious combination to
make. The premise is that 500 years in the future, the earth has become
uninhabitable and the population has been relocated to another system of planets
terraformed for habitability. There is an alliance that controls the central
planets but at the edges of the system life is governed by a kind of Wild West
code of justice.
Tuesday, April 17, 2012
From My Collection: Inside Man Movie Review
I’m kind of a shameless sucker for heist movies. I love
the team camaraderie and the way the films are usually structured, often
beginning with an opening heist teaser, followed by a gathering of the team
members, the training and planning stages and finally the execution. Spike Lee’s
Inside Man turns a lot of the
conventions of the genre on its head by beginning with the heist and allowing
it to unfold with the audience in the position of the hostages and the police.
We don’t know what the plan is, what they want to steal, or how they plan to
make their escape. Hell, we don’t even know who is involved. It all gets pieced
together slowly over time as the main detective slowly catches on, at which
point it’s too late.
Sunday, December 25, 2011
Love Actually Movie Review: A New Perennial Christmas Classic
Released in the United States one week after Elf, a film I think should become a
holiday classic, Love Actually warmed
audiences' hearts and for many has become perennial viewing at this time of
year. It’s easy to see why as I found it thoroughly enjoyable in the cinema in
November, 2003, and still find it emotionally fulfilling eight years later. At
the time I might have written it off as high-end fluff that I fell for at a
time when I was returning from the emotional high of three months backpacking
Europe, a trip during which I saw London for the first time. So watching the
movie, I experienced nostalgic excitement over seeing that skyline again, for
recognizing Heathrow airport, for hearing those London accents. It turns out,
however, that the film has a lot more to offer. It has staying power built on a
witty script by Richard Curtis, who also directs with a light touch, keeping
more than a dozen major characters suspended over two hours bringing everyone’s
story into resolve in the final scenes and brief coda.
Monday, February 7, 2011
Salt Movie Review: That Old Cold War Feeling
The Cold War fed the subject matter of action films, thrillers, and their sub-genre of international intrigue for decades. The James Bond series, the Jack Ryan films, and countless others all have the standoff between the USA and the Soviet Union to thank for their storylines. When tensions eased between the Eastern Bloc and the West, Hollywood lost fodder for their go-to villains. In the wake of 9/11 and the global War on Terror we might have thought that Arabs would supplant the Communists as Global Enemy Number 1. In some sense they have, but with only a handful of examples, it seems an elevated sense of political correctness has prevented it.
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