25 Years Ago This Month: March 1989

As always I start with what I've seen...

Three of the great filmmakers of the 70s and 80s (Woody Allen; Francis Ford Coppola; Martin Scorsese) collaborated on the omnibus film New York Stories which encompasses three short vignettes. The first and best is "Life Lessons" (Scorsese) starring Nick Nolte and Rosanna Arquette about an artist living with his former lover, whose sexual escapades with other men fuel jealousy and a spark of creativity. Coppola's segment is "Life Without Zoe," a sort of fantasy about a girl living in a luxury hotel. "Oedipus Wrecks" is Allen's contribution, about a New York lawyer (played by Allen) haunted by his overbearing mother, who appears in the New York skyline to tell the whole city about her son's personal problems.

I reviewed it last year after taking a second look many years removed, but the cult classic Heathers was released a quarter century ago.

Short Cut Movie Review: Oblivion

A Short Cut Movie Review is normally less than 400 words, but in some cases may go slightly over. This is my attempt to keep writing about as many films as I see without getting bogged down with trying to find more to say. They are meant to be brief snapshots of my reaction to a movie without too much depth.

Oblivion is a movie that looks almost perfect in terms of production design and visual effect. It deftly recalls and references several science fiction classics, but then fails to live up to the standards set by those that came before.

Tom Cruise is Jack Harper, a technician working to repair battle drones on earth that are in place to defend some big energy-producing machines from attack by Scavs, an alien race that lost a war with humans several decades ago. He explains everything in a narration that precedes the title. If you miss anything, don’t fret because it is all repeated almost verbatim later in the film as dialogue between Jack and Beech (Morgan Freeman), the leader of a band of humans found to still be living on earth.

25 Years Ago This Month: August 1988

Cheers, Jesus.

The films I've seen

The most significant movie release of the month was The Last Temptation of Christ. Martin Scorsese had been trying for a decade to adapt Kazantzakis' controversial novel and finally got it made with Willem Dafoe in the starring role and Harvey Keitel as a Brooklyn-accented Judas. Of course it was idiotically boycotted by Christian groups, most of whom had probably not even bothered to watch the film to find out exactly what they were objecting to. It has since become one of the more important films in Scorsese's body of work and has been canonized by Criterion into their collection.

The biggest money maker was A Nightmare on Elm Street 4: The Dream Master, which I reviewed last year. It made nearly $50M at the box office and finished 19th for the year.

Now I loved Young Guns when I was a kid. I only ever saw it on cable, but it remains to this day a serious guilty pleasure of mine. Emilio Estevez as Billy the Kid and then there's Kiefer Sutherland, Lou Diamond Phillips, Charlie Sheen, Casey Siemaszko, and a young Dermot Mulroney as his friends. Terence Stamp and Jack Palance add a veneer of respectability, but just a little.

Now You See Me Movie Review

First published at Mostly Movies on 11 June 2013.

It opens with an impressive magic trick – one that is played on you, the movie audience – as Jesse Eisenberg, playing street magician Daniel Atlas plies a card trick for both his fictional street audience and the camera. I will admit to having been duped by the card trick even though I knew it was really a trick of digital effects more than anything else. That, unfortunately, is the method behind most of the magic in Now You See Me, a movie about magicians pulling off one of the greatest tricks in history that fails to enthrall as magic and just barely holds up even as movie magic.

Olympus Has Fallen Movie Review

A lone vigilante hero in the wrong place at the wrong time is trapped in a building with a large group of well-financed and highly skilled terrorists who are holding several hostages. They’ll do what’s necessary to extract the codes they need from their captives. Our hero is estranged from one of those held hostage and his ability to repair the damage done to that relationship hinges on the outcome of the event. He has regular contact with the bureaucrats on the outside, at least one of whom can’t see what needs to be done.

Seven Movie Review

Although I saw this when I was already 17, it scared the shit out of me. When I saw it for the first time in the cinema I literally fell out of my chair at the moment when the 'sloth' victim turns out not to be dead. This was one of the most terrifying cinematic experiences I've ever had.

Click here for a list of all other films reviewed and considered for this October 2012 series of horror reviews.

Seven is the one film as I reached toward adulthood that really got under my skin in a way that terrified me. This police procedural thriller about a sadistic serial killer was created through the use of set design and cinematography that are just unnerving. I can’t recall another film of its kind that left me so shaken. It’s unrelenting not only in its sick and ghastly murders, of which we only ever see the aftermath, but also in its dark and depressing tone, designed specifically to destroy the audience’s will to go on, the way the rain continually pours down on the movie’s unnamed city and casts a gloom outside every window. Even the ending, which ties everything together and offers some explanation for the apparent irrationality of the killer, is almost entirely without hope or a denouement.

The Dark Knight Rises Movie Review

I’m not ready to jump on the bandwagon of The Dark Knight Rises. Before I get labeled a hater or someone who badmouths Hollywood movies for the sake of it, let me point out I was a big fan of both Inception and The Dark Knight. It is true I dislike most big budget action films, but not for the sake of setting myself apart from the masses. It’s because they are so often so bad. The world was geared up to love The Dark Knight Rises. It’s been built up immensely. Everyone – not just Christopher Nolan and Warner Bros. – has significant investment in its success. If you hate the third part, what does that say about your love for the first two? We are primed to enjoy this final chapter in the trilogy. I’m afraid my primer didn’t take.

25 Years Ago This Month: March 1987

The Iran-Contra Scandal occupied much of the White House's time. Rebels moved into Nicaragua armed with American aid. The U.S. and the Soviet Union continued talks on the spread of nuclear missiles. U2 released The Joshua Tree. Disney CEO Michael Eisner reached a deal with French PM Jacques Chirac to purchase land for the construction of Euro-Disney and AZT was approved by the FDA for use in AIDS treatment.

Street Smart Movie Review: 25 Years Ago This Month

New York in the 1980s makes you think of grimy streets and a Times Square overrun by prostitutes, pimps and sex shows. To walk through those streets of Manhattan now is like another world compared to what’s on screen in Street Smart, a long forgotten 1987 film starring Christopher Reeve as a magazine reporter who gets unwittingly mixed up in the seedy underworld after committing a truly dunderheaded act of stupidity.

Wanted Movie Review: Matrix Lite - Not the Same Great Taste, Less Fulfilling

First published on American Madness on 30 January 2009.

Republished here unaltered.

A young man works day in and day out in a soul-crushing office job. He’s thoroughly dissatisfied with his life, which he views as devoid of any meaning. One day he’s visited by a mysterious stranger in the form of a beautiful woman. He is saved from someone who seems to be after him and brought to meet a ragtag team led by a wizened black man who will give him spiritual guidance while training him to free his mind and become a highly skilled fighter and assassin.