Inside Llewyn Davis Movie Review

The Coen brothers love failures. They love characters who just hopelessly fail at what they do. Any great literary character has to have some flaw. Flaws make us human. The Greeks understood that. The most memorable Coen Brothers protagonists are defined by flaws and made human by the occasional glimmer of having it together. Mostly their heroes are lucky to get out alive. Their latest creation, Llewyn Davis, embodies elements we’ve seen before in their films. He’s going through a Job-like test a la Larry Gopnik. He’s Tom Regan without the wits and strokes of luck. He’s Jeff Lebowski without a bed of his own. He’s Everett McGill without a plan. He’s Barton Fink without the success. He’s all of this, but still entirely original.

Shame Movie Review

Steve McQueen’s Shame is about a man who is compulsively addicted to sexual pleasure. Like any other kind of addict, his cravings continue to push limits and take control of his life. He takes new sexual partners (sometimes paying for it) with stunning regularity. He is also a frequent masturbator, sometimes unable to hold off while at work. His boss informs him that the IT department came across a trove of pornography on his computer’s hard drive, but assumes it must have been an intern.

Drive Movie Review: Ryan Gosling as Swarthy Thug

At one point in Drive a character makes a snide comment about the movies he used to produce being “European,” as if that’s automatically understood to mean pseudo-intellectual garbage. It’s an ironic comment and one of the myriad ways director Nicolas Winding Refn thumbs his nose at Hollywood. Drive may flaunt its gorgeous matinee idol of a lead (Ryan Gosling), its car chases and violent action (all hallmarks of popular American cinema) but everything else about it screams European, from its 80s retro tone and soundtrack to the abundance of slow-motion and dearth of talk.

Wall Street: Money Never Sleeps Movie Review

The thing that has made Wall Street a cult classic was Gordon Gekko. Here was a villainwhose thirst for more money kew no bounds, not so much because he wanted more, but because he liked the thrill of the chase. An entire generation of Wall Street has pathetically modeled itself on his balls to the wall attitude toward finance. To take that character and water him down, give him pathos, provide him a reason to repent is not to capture the spirit of the original film, but to capture a wider audience and bigger box office return.