First published in The Connecticut College Voice on 27 February 1998.
Republished here with minor editorial adjustments that do not affect content.
Take two Academy Award nominated actors (Woody Harrelson, Elisabeth Shue) and Volker Schlöndorff, the critically acclaimed director of The Tin Drum and a comedic film noir script and you get the workings of what might be the first really good movie of 1998. Right? Wrong! What we end up with instead is a contrived, poorly scripted, badly conceived attempt at film noir. Not that it is a result of the people involved, but given the talent coming together on this project, Palmetto should have been much better.
