The Tree of Life Movie Review

Do yourself a favor if you’re going to watch The Tree of Life: set aside a block of time during which you won’t be interrupted. This is a movie that needs to be experienced in its entirety as single entity. It is not a traditional narrative film. Containing experimental elements, it is more a philosophical exploration of life’s origins and the binary nature of the world we live in. If you’re open to new experiences and ready for a thought-provoking movie, then by all means give it a shot. If, on the other hand, this doesn’t sound like your cup of tea or you read some kind of plot description somewhere that sounded like it’s a good story, then turn back now. This isn’t for you.

Milk Movie Review

First published on American Madness on 20 December 2008.

Republished here with a typo correction.

Director Gus Van Sant has taken a break from his often inaccessible forays into (almost) experimental film to make Milk, a very typical Hollywood biopic about Harvey Milk, the nation’s first openly gay man to win major elected office and then assassinated shortly thereafter. I don’t use ‘typical’ pejoratively, rather as an observation of how Van Sant’s film follows most of the conventions of the genre and as a contrast to his other recent work. Van Sant also directed Good Will Hunting – a formulaic Hollywood film that I love.

Fair Game Movie Review

I'm sort of torn about how to approach Doug Liman's Fair Game, a political thriller based on the real-life events surrounding the outing of CIA operative Valerie Plame in the time period in and around the March 2003 invasion of Iraq. It's undeniably a well-constructed slow burning thriller and a great deal of the information in the film appears to be mostly accurate, based on several independent journalistic reports. But then it tries to represent itself as a bold and daring exercise in filmmaking that exposes the truth, while at the same time being a completely conventional film.

While I certainly preferred Liman as a director of smaller films like Swingers and Go, his action films, including the first in the Bourne series, although with the exception of Jumper (from what I've read and the bits I've seen it's an unmitigated disaster), demonstrate a slick vision and controlled hand at presenting fast-paced action sequences with sharp visual and staccato, but cohesive editing. Fair Game mercifully doesn't ever find the need to toss in gratuitous chase sequences or to distort what is essentially a mild-mannered, though complex, story into a trove of action movie cliches and trumped up tension.

The Pledge Movie Review

This review was written in January 2001 and is presented here for the first time.

The commercials for The Pledge, a new psychological thriller directed by Sean Penn based on the book by Friedrich Dürrenmatt, suggest that it's a standard detective story. One might expect the hero of the film to hunt a crazed killer, who continues to feed on prey until he leaves enough clues for said hero to catch him. But it's more about the lengths to which this detective (recently retired) will go to stop the killing.

Jack Nicholson plays Detective Jerry Black, who gets involved in one last case three hours before his retirement officially begins. The crime is a gruesome one, in which a seven-year-old girl has been raped and mutilated, then left in the snowy wilderness for a young boy to find. Jerry makes a solemn promise to the parents of the deceased that he will catch the killer. This is the titular vow that motivates his every action throughout the film.

Sweet and Lowdown Review: A Woody Allen Modern Classic

Sweet and Lowdown doesn’t come across immediately as a very typical Woody Allen film. Sure it’s set in the late 1930s, a time period visited by Allen on more than one occasion. The subject matter is early jazz guitar and anyone familiar with his work and extracurricular activities knows he’s a real jazz aficionado. And of course the visual style is all Woody with wide shots that slowly zoom in on a subject and the writing is unmistakably his.

25 Years Ago This Month (August 1985)

*Clicking the label "1985" below will take you to a list of all posts related to movies of that year including other "25 Years Ago This Month" entries.

August 1985 was the month of teen comedies with the release of the John Hughes comedy Weird Science in which geeks Anthony Michael Hall and Ilan Mitchell-Smith create Kelly LeBroc from a doll. I used to watch it a lot as a kid, but it's a lesser Hughes film.

Next up was Real Genius, still one of my favorites, starring Val Kilmer and Gabriel Jarrett as two super geniuses at a super genius school unwittingly designing a new powerful laser to be used as a military assassination weapon.

Fittingly, time has not been kind to My Science Project starring Dennis Hopper as a hippie high school science teacher whose students bring him a glowing orb they found which can transport them to different times and places. Yeah, you didn't miss much.

Another classic from my childhood released this month was Better Off Dead with John Cusack as a recently dumped, suicidal teen who screws up each suicide attempt. Sounds hilarious, doesn't it? It really is though. And it's totally bizarre with the two Asian characters who learned their English from watching Howard Cosell on "Wide World of Sports" and the paperboy who chases Cusack around for the "Two dollars!" he's owed.

Less classic was Teen Wolf. Despite starring the hot-at-the-moment, fresh off the release of Back to the Future, Michael J. Fox, this film only took $33 million. It was enough to be #1 for August releases but only 26th for the year.

Old Movie Review: Colors directed by Dennis Hopper

Here is the last of my reviews commemorating the career of the late Dennis Hopper. Unfortunately, this movie was hardly worth my time, but I stuck with it to the end. The last time I walked out on a movie was Father of the Bride Part II when I was 17. So here we have the 4th movie directed by Dennis Hopper. He left a much better legacy as an actor than as a director.

It’s almost not even worth writing anything about a 22 year old film that time has all but forgotten. The Dennis Hopper directed Los Angeles cops and gangs drama Colors has not survived the long lens of history very well. It’s true that most films from that period have not dated well. The fashions, the hairstyles and the musical scores in particular have a distinct late 80s feel in several police dramas from that period including Lethal Weapon and Beverly Hills Cop.