I guess Die Hard
has achieved something close to classic status by now. It’s a beloved action
movie from the 80s (the heyday of big dumb action) with an up-and-coming movie
star that spawned four sequels and a catch phrase. Taking another look at it I’ve
found that it holds up well, but it’s certainly not great. It does just about
everything right and hardly missteps until the very last scene, I’d say.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Hart Bochner. Show all posts
Showing posts with label Hart Bochner. Show all posts
Saturday, December 20, 2014
Monday, October 1, 2012
Terror Train Movie Review
The story goes that I was three years old when I saw this film and it gave me nightmares and a general inability to go to sleep on my own. I was permitted to watch it because my sister, nine years older than me, was into horror films and my eight year old brother just didn't believe these movies. No one expected I would be so affected by it. I had no memory of it growing up and I never watched it until I decided to include it for this series.
Click here for a list of all other films reviewed and considered for this October 2012 series of horror reviews
Terror Train is
just one in a series of late 70s and early 80s slasher films attempting to
capitalize on the popularity of the genre, especially after John Carpenter’s
great Halloween. But Terror Train, directed by Roger
Spittiswoode from an inane script by T. Y. Drake, contains none of the artistry
of Halloween and instills almost none
of the fear engendered by Michael Myers or the terror of the title. About the
only thing it shares in common with its predecessor and inspiration is Jamie Lee
Curtis as the shrieking star, a pure and virginal young woman whose chaste
behavior is ostensibly what helps her survive. Both films tally up the body
count of young people, but they are far less interesting or cinematic here.
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