It has been so long since I’ve been both truly surprised
and genuinely thrilled at the movies that I’d almost forgotten the feeling, but
Jack Reacher reminded me of exactly
the reason why I love sitting in a darkened cinema several dozen times a year.
It is not the best movie I’ve ever seen. It’s not even the best movie I’ve seen
this year. But it did exactly what I expect an action thriller to do and it did
it competently, excitingly, originally, and without pandering to the lowest
common denominator audience members. I loved this movie. I loved it almost
unequivocally. I loved it for all the reasons it could have been a standard
genre film, but wasn’t. Loved it for all the ways it managed to enthrall me
from one minute to the next. Christopher McQuarrie, who wrote the hugely
popular (though not well-liked by me) The
Usual Suspects, adapted the story from the eponymous character created by
author Lee Child and more specifically from one of the sixteen books featuring
Jack Reacher as the main character.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Rosamund Pike. Show all posts
Showing posts with label Rosamund Pike. Show all posts
Sunday, December 30, 2012
Thursday, April 7, 2011
Barney's Version Movie Review: Jewish Angst in Montreal
Paul Giamatti is an actor who throws himself into his roles, becoming completely absorbed by his characters. Without the looks and stature of a traditional leading man, he has built an impressive resume of characters including John Adams in the eponymous HBO mini-series and has been ruefully passed over for a Best Actor Oscar nomination twice. No, make that three times now.
In Barney’s Version he plays Barney Parnofsky, a television producer and faux intellectual from Montreal who recalls the past decades of his life after the release of an incriminating book by a retired detective that implicates him in a 20 year old missing persons case. It’s little surprise that Giamatti and the film missed out on the Oscar season (with the exception of a nod for makeup) because it was barely marketed, had no wide release until earlier this year and simply wasn’t put on the radar of enough Academy members. That’s a real shame because despite the film’s flaws, and they are many, it is more than deserving of both audience and critical attention.
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