Short Cut Movie Review: Scream 2

A Short Cut Movie Review is normally less than 400 words, but in some cases may go slightly over. This is my attempt to keep writing about as many films as I see without getting bogged down with trying to find more to say. They are meant to be brief snapshots of my reaction to a movie without too much depth.

Where Scream succeeded, Scream 2 feebly attempted to repeat the formula in sequel mode. The problem is that the formula was already starting to wear thin and show the seams. It takes the premise of the first and transfers it to Sidney’s (Neve Campbell) college, where her new boyfriend (Jerry O’Connell) is obviously a prime suspect in the new spate of murders. Gale Weathers (Courtney Cox) is back covering the story and Deputy Dewey (David Arquette), hobbled though he is by the wounds received the first time around, is prowling the campus making the same dopey observations. The film is also littered with famous faces, most of whom were rising stars at the time, who get dispatched (Sarah Michelle Gellar; Omar Epps; Jada Pinkett; Rebecca Gay Heart; Joshua Jackson; Timothy Olyphant).

Rango Movie Review

I think Gore Verbinski has found his true calling as a director. I don’t know why I didn’t see it from the Pirate of the Caribbean movies, but he is most suited to directing animated adventures. After all, the exploits of Captain Jack Sparrow are nothing but cartoon action using live actors amid a whole bunch of CGI. But last year’s Rango, Verbinski’s first stab at an animated feature, is a marvelous little gem of a movie.

Johnny Depp gives full life and voice to the title character, a chameleon who gets lost in the desert and unwittingly becomes sheriff to a dying town replete with rats, muskrats, lizards, tortoises and other desert vermin. It begins with Rango staging heroic plays and tableaux with literally lifeless supporting characters. This is because he’s a pet in a diorama being transported by car along the highway. It suddenly occurs to him that in order for his stories to be more interesting, to give his eponymous hero more depth of character, there needs to be an ironic twist that flings his protagonist into an unexpected situation. Then what do you know? His cubicle home gets flung from the car and smashes on the highway leaving him to fend for himself in the desert.