It might seem strange to recommend a horror movie as
something that every parent should see and pay close attention to, but The Babadook, the feature debut from
Australian filmmaker Jennifer Kent, is a treatise on the aspects of parenting
that people tend not to talk about. It is a sort of psychological horror film
clearly inspired by and borrowing from Nosferatu
as equally as The Exorcist, Halloween,
and even A
Nightmare on Elm Street.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Australia. Show all posts
Showing posts with label Australia. Show all posts
Friday, December 19, 2014
Sunday, April 27, 2014
From My Collection: Bright Star Movie Review
Depicting an artist at work in a film is a tricky thing.
The possibilities are greater when dealing with the visual arts because the
process of creation is dynamic. But when it comes to filming the story of a
writer, what can the filmmaker do to depict process? After all, what is a
writer’s process in the majority of cases if not to sit at a desk and think…and
write…and drink coffee…and think…and wait for ideas or inspiration? This does
not make for very interesting cinema. So the most interesting films centered on
writers tend to focus on something that is only tangentially connected to the
writing or the finished product. Jane Campion’s Bright Star was a mesmerizing love story to me when I first saw it
nearly four years ago and it remained so when I watched it again recently. The
movie circumvents the problems of filming a writer’s life and work by making
the story about the poet John Keats’ three year unconsummated love affair with
Fanny Brawne.
Sunday, January 16, 2011
Animal Kingdom Movie Review: All in the Family
Josh, or J as he is known to family and friends, is a kid trying to survive the harsh circumstances of his life. When we first see him he’s passively watching the television with a passed out woman by his side. The paramedics burst in and ask what she took. “Heroin,” he utters as he continues to pay more attention to the banalities on the idiot box than to his dying mother on the sofa.
If that scene doesn’t jolt you with its impassivity, then the next one almost assuredly will. We see J on the phone saying, “Hi Grandma. Mom’s gone and ODed and she’s died.” When she responds, “Oh, are you all right?” we know everything we need to know about her. We imagine J has lived a grueling existence with a drug addict mother who, it should be noted, kept her son sheltered from his grandmother and uncles. James Frecheville plays him as a kid detached from life trying to find his place in a world that seems to have nothing but cold indifference toward him, a point somewhat clumsily made by the film’s title, Animal Kingdom, and the detective who tries to help him.
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