From My Collection: Shakespeare in Love Movie Review

I just recently rewatched Shakespeare in Love and it was a s good, if not better than I remember it. John Madden’s film of the fictional and comic fantasy of how the greatest romantic tragedy in literary history came to be was my favorite film of 1998. I saw it Christmas Day, part of a moviegoing tradition I diligently maintained from 1997 through 2005, and then again a few weeks after. I bought the DVD in 1999 and have watched it a few times over the years and now I have the Blu-Ray (yes, I’m a dinosaur) so I can enjoy it in HD whenever I please. I was one of few people to accurately predict its victory in the Best Picture Oscar contest. In the Oscar pool I used to manage, only three people out of about thirty made that pick over Saving Private Ryan.

Kingsman: The Secret Service Movie Review

I continue to fall victim to these early-in-the-year releases that get good reviews, forgetting every year that for the most part, these films are not very good. It’s just that critics are desperate to grasp at something remotely interesting in the early months on the calendar. Kingsman: The Secret Service is one of these movies. It’s all flash and panache, giving the illusion of something stylish and innovative. This is Matthew Vaughn’s second film adapted from a Mark Millar comic. Kick Ass was the first and, truth be told, violence is treated equally in both films, which tells me that Millar and Vaughn see no difference between violence committed by and against a twelve-year old girl and English gentlemen.

Magic in the Moonlight Movie Review

Jack English

There may not be a filmmaker more grounded in realism who also frequently touches on elements of magical realism than Woody Allen. Here is a man who has a strong philosophical view of life, death, and existence, who seems resigned to the idea that what you see is what you get and that there is no deity or afterlife. Here is a man who dabbled in magic tricks as a boy and who grew up to become one of the late 20^th century’s most important and prolific generators of the greatest magic tricks of all – motion pictures. For what are the movies but an illusion? Not only are the stories told fictional tales through which we, the audience, have a chance to live out fantasy wish fulfillment, but the physical process of film projection is a series of still photographs presented in such rapid succession that it gives the illusion of movement.

Tinker Tailor Soldier Spy Movie Review

If you find yourself asking “What happened?” at the end of Tinker Tailor Soldier Spy, don’t assume you’re alone. This is not because it’s confounding to the point of being indecipherable, but rather for its insistence on avoiding the clichés of spy thrillers that we’ve grown so accustomed to.

To summarize the plot could take all day. Based on the John le Carré novel, the story is set at the upper echelons of British Intelligence in the thick of the Cold War, when Britain and Russia each had spies working to subvert the other and each likely had moles working in the other’s foreign office. Le Carré knows something about British Intelligence, having worked there for many years before retiring and devoting himself full time to writing spy thrillers. His work is the antithesis to Ian Fleming’s James Bond series, which rely heavily on action and thrills, where Bond’s moral clarity is rarely, if ever, questioned. The characters that le Carré creates live in a world of moral ambiguity. Their conflicts are within their own offices and directed internally much more than toward any foreign power. That this story involves the presence of a well-placed mole at the top of British Intelligence is just par for the course.

Love Actually Movie Review: A New Perennial Christmas Classic

Released in the United States one week after Elf, a film I think should become a holiday classic, Love Actually warmed audiences' hearts and for many has become perennial viewing at this time of year. It’s easy to see why as I found it thoroughly enjoyable in the cinema in November, 2003, and still find it emotionally fulfilling eight years later. At the time I might have written it off as high-end fluff that I fell for at a time when I was returning from the emotional high of three months backpacking Europe, a trip during which I saw London for the first time. So watching the movie, I experienced nostalgic excitement over seeing that skyline again, for recognizing Heathrow airport, for hearing those London accents. It turns out, however, that the film has a lot more to offer. It has staying power built on a witty script by Richard Curtis, who also directs with a light touch, keeping more than a dozen major characters suspended over two hours bringing everyone’s story into resolve in the final scenes and brief coda.

The King's Speech Movie Review: Reluctant King Stammers, Finds Friend, Gets Cured

Time was when members of the royal family simply had to look regal and avoid falling off their horses, but radio turned them into actors. So explains King George V (Michael Gambon) to his son Albert (Colin Firth), or Bertie, as he is better known to his family early in The King’s Speech. Albert’s older brother Edward (Guy Pearce) is next in the line of succession so he doesn’t have to be as concerned as others. Especially considering that he suffers from a terrible stammer that makes his speech sound ridiculous. Students of British history will know, even if they know nothing of the film, that Albert went on to become King George VI, the monarch who reigned over Great Britain and its colonies through WWII.

Toy Story 3 Movie Review: Trying Very Hard to Measure Up to a Bar Already Set in the Stratosphere

Pixar has a rule about sequels in that they won’t go near them unless they have a really good story, so it may seem suspect that they’ve released a second sequel to the film that got them started on world domination of animated features: the 1995 hit Toy Story. In the pantheon of Pixar features, Toy Story 3 figures somewhere between that first film and A Bug’s Life.

Now you may be thinking to yourself, “Those are two fine entertainments so how can I go wrong with this one,” and you’d be right. Woody and Buzz Lightyear (still voiced by Tom Hanks and Tim Allen) are back in another rollicking adventure. Whereas the first sequel dealt with the guilt of letting your childhood toys fall by the wayside, this one is about the sorrow of having to leave childish things behind when you reach adulthood.

Dorian Gray Movie Review: Where, Oh Where Has My Little Soul Gone?

This film has been released commercially in some European markets and will get a direct-to-DVD release in the US on 10 August.

In Oliver Parker’s latest Oscar Wilde adaptation (with a screenplay by novice Toby Finlay), Dorian Gray, Ben Barnes spends most of his time in the titular role standing around looking pretty. And that’s pretty much what Wilde’s original novel was about, wasn’t it? It was about this beautiful young man who stays beautiful.

No it wasn’t! It was a serious examination of the power of vanity on the human soul and the consequences of trading your soul for everlasting beauty. The novel was infused with Wilde’s classic wit, expressed mostly through the character of Lord Henry Wotton, mostly absent here except for the occasional biting comment expertly delivered by Colin Firth, who is the only actor in the film who seems up to the challenge of, you know, acting.