My history with A
Simple Plan is very special. In 1998 I had seen lots of excellent movies
that I really admired, but had yet to find a perfect 10. On New Year’s Eve I
saw three movies. One of them was Sam Raimi’s A Simple Plan, a movie I didn’t have any significant expectations
for outside of being interested in Billy Bob Thornton and the premise of the
film: three ordinary men find a bag full of money. What should they do with it?
It was probably about halfway to two thirds of the way through when I had a
realization that the film was on its way to my standard of perfection if only
it could avoid any third act missteps. And then it made it. It arrived to the
end and Scott B. Smith, who adapted the screenplay from his own novel, had made
all the right choices and I stood in awe of this minor little film that was
simply astounding.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Sam Raimi. Show all posts
Showing posts with label Sam Raimi. Show all posts
Wednesday, November 19, 2014
Saturday, November 2, 2013
From My Collection: The Hudsucker Proxy Movie Review
Full disclosure: I’m an almost shameless lover of the
Coen brothers. There’s hardly a film they’ve made that I don’t like and with
one exception, I own every one of their films on DVD. That doesn’t mean I’m
blind to the things that don’t work and the films that fail in some very
important aspects. With that said, The
Hudsucker Proxy was always a film I liked for its quirky Coen-ness, but
clearly I wasn’t crazy about it because it took me fourteen years after I got
my first DVD player (and nineteen years after the film was released) to
purchase a copy.
Wednesday, May 1, 2013
Oz the Great and Powerful Movie Review
Remember when the great advance in film technology was
having animated characters interact with human actors? From the simplistic
designs of Mary Poppins to the
sophisticated effects of Who Framed Roger
Rabbit the union of live action and animation was a marvel used sparingly.
Today we have Oz the Great and Powerful
which is a demonstration of what happens when that technology runs amok.
Sunday, March 4, 2012
25 Years Ago This Month: March 1987
The Iran-Contra Scandal occupied much of the White House's time. Rebels moved into Nicaragua armed with American aid. The U.S. and the Soviet Union continued talks on the spread of nuclear missiles. U2 released The Joshua Tree. Disney CEO Michael Eisner reached a deal with French PM Jacques Chirac to purchase land for the construction of Euro-Disney and AZT was approved by the FDA for use in AIDS treatment.
Monday, May 23, 2011
Cult Classic Movie Review: Army of Darkness
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| This is my BOOMstick! |
This review is based on the Director's Cut DVD I own, a disappointingly poor transfer with additional and alternate scenes, most of which don't match film grade, spliced in.
Army of Darkness is the end result of what happens when a group of friends makes a marginally successful cult film and then a major studio gives them a serious budget for a sequel. It is the sequel to Evil Dead II, itself more a remake than a sequel of Evil Dead. It is what happens when a series of sight gags mostly inspired by "The Three Stooges" get stretched too thin until it lies gasping for air on the floor. Okay, I'm exaggerating to an extent, but I found myself a little bit bored through most of the final half hour.
It more or less follows on from where the previous film left off – with Ash (still portrayed by the dashing, self flagellating Bruce Campbell) being thrown back to the Middle Ages where he is prophesied to deliver the kingdom from evil.
Army of Darkness is the end result of what happens when a group of friends makes a marginally successful cult film and then a major studio gives them a serious budget for a sequel. It is the sequel to Evil Dead II, itself more a remake than a sequel of Evil Dead. It is what happens when a series of sight gags mostly inspired by "The Three Stooges" get stretched too thin until it lies gasping for air on the floor. Okay, I'm exaggerating to an extent, but I found myself a little bit bored through most of the final half hour.
It more or less follows on from where the previous film left off – with Ash (still portrayed by the dashing, self flagellating Bruce Campbell) being thrown back to the Middle Ages where he is prophesied to deliver the kingdom from evil.
Wednesday, April 27, 2011
Cult Classic Movie Review: Evil Dead II
If you go into watching Evil Dead II with anything other than the desire to laugh, you’re likely to be disappointed. Director Sam Raimi and his collaborators, high school friends Scott Spiegel (who co-wrote the screenplay with Raimi) and Bruce Campbell, who stars in the film, set out specifically to make a horror comedy.
In a nutshell, the story goes something like this: Raimi and Campbell make a low-budget horror film called Evil Dead. It’s a standard group-of-friends-in-a-cabin-in-the-woods, supernatural evil, genre film. It’s by no means an inept film, but the seams are visible, the acting is poor and audiences respond with jeers and laughter. It achieves a bit of cult status. They decide to ‘remake’ the film, but as a comic send up of low-budget horror flicks, and call it a sequel.
Friday, April 22, 2011
25 Years Ago This Month: April 1986
It turns out April 1986 was a rather uneventful month at the cinema in the United States. The two biggest box office money earners were basically flops. First was Ridley Scott's Legend starring a pre-Top Gun Tom Cruise.
The second was the low-budget creature feature Critters starring Dee Wallace and a teenage Scott Grimes.
If we ignore a forgotten film from 1974 and a nearly forgotten horror flick called The Hand, Oliver Stone's first important directorial feature was released this month. Salvador stars James Woods as a journalist who travels to El Salvador to document the 1980 civil war and becomes entangled with both the guerrillas and the right-wing military.
The second was the low-budget creature feature Critters starring Dee Wallace and a teenage Scott Grimes.
If we ignore a forgotten film from 1974 and a nearly forgotten horror flick called The Hand, Oliver Stone's first important directorial feature was released this month. Salvador stars James Woods as a journalist who travels to El Salvador to document the 1980 civil war and becomes entangled with both the guerrillas and the right-wing military.
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