Remember when the great advance in film technology was
having animated characters interact with human actors? From the simplistic
designs of Mary Poppins to the
sophisticated effects of Who Framed Roger
Rabbit the union of live action and animation was a marvel used sparingly.
Today we have Oz the Great and Powerful
which is a demonstration of what happens when that technology runs amok.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Mila Kunis. Show all posts
Showing posts with label Mila Kunis. Show all posts
Wednesday, May 1, 2013
Tuesday, July 3, 2012
Ted Movie Review
Loosed from the constraints of working in network
television, Seth MacFarlane was permitted the chance to make a foul-mouthed
raunchy live action comedy film. What makes Ted
work so well is its loose tongue and general ease with which characters use
colorful descriptions. The fact that a cuddly teddy Bear does most of the
cursing is subversive in a kind of brilliant way. The film works a lot less
when it ventures into the “Family Guy” territory of shock humor.
Tuesday, January 4, 2011
Black Swan Movie Review
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| Aronofsky uses mirrors to visually illustrate Nina's fractured mind. |
Darren Aronofsky is not a director who does anything by halves. His films have an air of the lunatic about them and focus on the ways people mistreat and brutalize themselves both physically and emotionally (although one tends to follow the other). In Pi it was a mathematician descending into madness searching for a universal theorem. In Requiem for a Dream he chronicled the toll drugs (both illicit and prescribed) take on the human body. The Wrestler, his most straightforward narrative film to date, contained elements touching on the physical torment “professional” wrestlers put themselves through.
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