I’m not a Shakespeare scholar. I probably know more than
most people but I certainly can’t claim any intimate knowledge of his life and
work. I know enough to say that the alleged controversial question of
authorship of his works is complete and utter bunk, in spite of what
Shakespearean actor Derek Jacobi believes. The issue strikes me as little more
than the common disbelief among those who have spent lots of time and money on
formal education that someone with a lesser education could possibly possess
such genius. A major part of the argument has been that Shakespeare’s education
was insufficient to prepare him for works containing classical allusions and
such. As far as I’m concerned this is no different to any modern day conspiracy
theory that suggests for instance that we never really went to the moon and
that George W. Bush personally flew airplanes into the World Trade towers.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Joely Richardson. Show all posts
Showing posts with label Joely Richardson. Show all posts
Friday, February 24, 2012
Wednesday, January 18, 2012
The Girl With the Dragon Tattoo Movie Review
David Fincher’s The
Girl With the Dragon Tattoo, adapted from Stieg Larsson’s book by
screenwriter Steven Zaillian, is the second such adaptation of the novel, the
first being a Swedish production from two years ago. It represents the growing
trend in Hollywood of taking popular and well-crafted films from overseas and
reshaping them for American audiences. Fincher’s version, which should really
be considered an alternative adaptation of the book more than a remake, is an
expertly made, great looking, moody and atmospheric yet totally conventional
thriller. Which is sort of like having the New York Philharmonic perform a
composition by a middle-schooler with mediocre musical ability. The conductor
is brilliant and his orchestra top-notch, but the music itself insists that we
ask why such talents were wasted in pursuit of something so pedestrian.
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