There are great parallels between the 19th
century American West with its lawlessness, gunslingers, and vigilante justice
and feudal Japan and its share of samurai warriors. Codes of honor are similar
as are the general sense of open and unconquered land, small villages
vulnerable to the strength of an oppressor, simple farmers trying to scrape by.
The Japanese samurai films of the fifties borrowed and lifted tropes from the
American western genre. Then a funny thing happened and the westerns started
mimicking the samurai films. Seven
Samurai was and still is one of the greatest of its kind. It was popular
(as much as foreign films could be popular at the time) in the U.S. and it was
ripe for picking by a Hollywood studio. And so the 1960 semi-classic The Magnificent Seven came to fruition.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Horst Bucholz. Show all posts
Showing posts with label Horst Bucholz. Show all posts
Friday, July 18, 2014
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Everything I Saw in the 2nd Half of 2025
30 Dec. Hamnet (2025) [cinema]* 28 Dec. #4133 Song Sung Blue (2025) [cinema] 25 Dec. #4132 Marty Supreme (2025) [cinema] 16 Dec. #4131...
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Back in 1996 I was truly taken in by Barry Levinson’s Sleepers , adapted from Lorenzo Carcaterra’s allegedly autobiographical novel relat...
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The financial crisis that started in 2008 is far too complicated to explain in one 2 hour dramatic film. The experts on the subject can h...
