A sweet comedy drama about several British retirees who try to make a new life for themselves in their twilight years in exotic India. Some wonderful acting (especially from Judi Dench) supports a movie that is likely to appeal more to older audience members, but anyone who appreciates a well-told story should be pleased. I would suggest it's also appropriate for anyone who has ever had the travel bug or gone to live in a new country or thought about going to live in a new country. It may never be too late in life to learn new things or strike out on an adventure.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Bill Nighy. Show all posts
Showing posts with label Bill Nighy. Show all posts
Monday, January 7, 2013
Short Cut Review: The Best Exotic Marigold Hotel
A Short Cut Movie Review is normally less than 400 words, but in some cases may go slightly over. This is my attempt to keep writing about as many films as I see without getting bogged down with trying to find more to say. They are meant to be brief snapshots of my reaction to a movie without too much depth.
Thursday, January 19, 2012
Rango Movie Review
I think Gore Verbinski has found his true calling as a
director. I don’t know why I didn’t see it from the Pirate of the Caribbean movies, but he is most suited to directing
animated adventures. After all, the exploits of Captain Jack Sparrow are
nothing but cartoon action using live actors amid a whole bunch of CGI. But
last year’s Rango, Verbinski’s first
stab at an animated feature, is a marvelous little gem of a movie.
Johnny Depp gives full life and voice to the title
character, a chameleon who gets lost in the desert and unwittingly becomes
sheriff to a dying town replete with rats, muskrats, lizards, tortoises and
other desert vermin. It begins with Rango staging heroic plays and tableaux
with literally lifeless supporting characters. This is because he’s a pet in a diorama
being transported by car along the highway. It suddenly occurs to him that in
order for his stories to be more interesting, to give his eponymous hero more
depth of character, there needs to be an ironic twist that flings his
protagonist into an unexpected situation. Then what do you know? His cubicle
home gets flung from the car and smashes on the highway leaving him to fend for
himself in the desert.
Sunday, December 25, 2011
Love Actually Movie Review: A New Perennial Christmas Classic
Released in the United States one week after Elf, a film I think should become a
holiday classic, Love Actually warmed
audiences' hearts and for many has become perennial viewing at this time of
year. It’s easy to see why as I found it thoroughly enjoyable in the cinema in
November, 2003, and still find it emotionally fulfilling eight years later. At
the time I might have written it off as high-end fluff that I fell for at a
time when I was returning from the emotional high of three months backpacking
Europe, a trip during which I saw London for the first time. So watching the
movie, I experienced nostalgic excitement over seeing that skyline again, for
recognizing Heathrow airport, for hearing those London accents. It turns out,
however, that the film has a lot more to offer. It has staying power built on a
witty script by Richard Curtis, who also directs with a light touch, keeping
more than a dozen major characters suspended over two hours bringing everyone’s
story into resolve in the final scenes and brief coda.
Monday, May 9, 2011
Pirate Radio Movie Review: The Boat that Rocked
First published at American Madness on 18 November 2009.
Republished here a punctuation alteration.
*This review is based on the European release of this film which runs 2 hours and 15 minutes. The film was re-edited and shortened by about 20 minutes for the American release following criticism of its length in the UK.
Don’t be fooled by the way Pirate Radio has been advertised in the US. Philip Seymour Hoffman’s character is not the focus of the film. To be sure, he is the lone American in a sea of British characters, which seems to be a theme writer-director Richard Curtis has developed (Four Weddings and a Funeral, Notting Hill and Love, Actually), but he is just one of many radio DJs living on and broadcasting from a ship in the North Sea to get around the government rules regarding rock music on the airwaves.
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