From My Collection: 25th Hour Movie Review

In 2002, New York City lay beaten and bruised, injured and left for dead but not without some bite left in her. Certainly the city was ready and willing to dole out punishment to anyone who intended harm again. It’s a lot like the dog Doyle at the opening of Spike Lee’s 25^th Hour. Someone has abused him, but he lashes out at Monty Brogan (Edward Norton), who only wants to help. Monty takes Doyle in and when the story picks up a year later, the dog is reasonably normal while the city is still reeling from catastrophe.

My Collection: He Got Game Movie Review

Spike Lee’s He Got Game is a movie about America made by a man who loves basketball and the opportunity represented by this country. Stories of race relations have often driven Lee to make provocative films. Even when he’s not sharp, we see he has something interesting to say.

Lee is usually at his best when he keeps his focus on small communities in Brooklyn. He Got Game is set mostly in Coney Island, but the story has connections to the broader American community. The two main characters are diametrically opposed black men. Denzel Washington is Jake Shuttlesworth, a man with undying love for his children, but also a pent up rage that led to the death of his wife, for which he is now serving time in state prison. Ray Allen is his son, Jesus (pronounced like Jesus of the Bible), who is the number one high school basketball prospect in the country.

Seven Pounds Movie Review: 118 Minutes of Incoherence

First published on American Madness on 19 December 2008.
Republished here with a minor editorial adjustment that does not affect content.

Scene: Ben Thomas (played with unending weepiness by Will Smith), despondent, in close-up makes a 911 call to report his own impending suicide.

Cut to: Ben swimming in the blue Pacific. His voiceover, in pressing sadness, informs us, “In seven days God created the world. And in seven seconds I shattered mine.” Yet I recall God created the world in six days and rested on the seventh. And what about those seven seconds? No explanation is ever offered.

Cut to: Ben making a phone call to the customer service center of a mail-order meat company. The employee handling his call is Ezra Turner (Woody Harrelson), a blind man without an angry bone in his body, as evidenced by his unwillingness to strike back when Ben released a tirade of insults over the phone. This will prove to be Ben’s test of Ezra to discover if he is worthy - worthy of what is the mystery that unravels over the course of 118 difficult minutes.

Unstoppable Movie Review: Denzel Washington is, once again, the Everyman hero

I imagine director Tony Scott making a romantic comedy. There would be truncated establishing scenes with a tense thumping bass-heavy musical score by Harry Gregson-Williams, who has scored all of Scott’s films since Enemy of the State, and each new location would be accompanied by a type-written scrawl in the corner of the frame indicating the place and time: “Female love interest’s house – 8:30pm.” This is how virtually every one of his action films begins, with the typed titles continuing throughout the duration of the film. Why would I have expected anything different from Unstoppable, his latest exercise in loud, clanging, macho action?