Maybe it’s my love of westerns that made me fall so hard
for John Singleton’s Four Brothers,
his 2005 Detroit-set revenge film and his best work since Boyz
N the Hood. I didn’t realize it then, or even the second time I watched
it, that it’s essentially a modern urban western. The lawlessness of the open
land and small towns has been replaced by the gutted and run down Motor City.
Instead of some evil landowner there’s a crime boss (played by Chiwetel Ejiofor
early in his Hollywood career and long before his star turn in 12
Years a Slave). Replacing the heroic gunslinger is a criminal and his
three brothers, in town for their mother Evelyn’s (Fionnula Flanagan) funeral
and to exact revenge for her murder in what appears to be a convenience store
robbery. Many of the western tropes are there. There are gunfights. There are
shots establishing the landscape, in this cast derelict buildings and
snow-swept (as opposed to wind) open spaces of frozen lakes.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label John Singleton. Show all posts
Showing posts with label John Singleton. Show all posts
Tuesday, June 16, 2015
Saturday, May 25, 2013
Short Cut Movie Review: Boyz N the Hood
A Short Cut Movie Review is normally less than 400 words, but in some cases may go slightly over. This is my attempt to keep writing about as many films as I see without getting bogged down with trying to find more to say. They are meant to be brief snapshots of my reaction to a movie without too much depth.
When I watched Colors a few years ago I discovered what felt like an incredibly dated piece of urban
crime drama. Reading old reviews I found the original reception hailed it as
gritty and realistic. In the case of Boyz
N the Hood, I had already seen it several times before watching it again
recently, but still found much of it very dated. Perhaps it’s a general problem
with all urban crime dramas of that period that they now feel like they’re from
another era.
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