Showing posts with label Zooey Deschanel. Show all posts
Showing posts with label Zooey Deschanel. Show all posts

Saturday, December 24, 2011

Elf Movie Review: A Modern Christmas Classic

Jon Favreau wanted his Christmas comedy Elf to become a Christmas classic. Actually I’m kind of surprised it hasn’t yet. It has all the elements needed to establish it firmly in the canon. The reason I say Favreau wanted that is because it looks like he went out of his way to give it the look and feel of other classic holiday fare from both film and television. In this unusual and often uproarious story of a human raised by North Pole elves who goes to New York City seeking out his real father, Favreau’s direction keeps the comedy coming at consistent intervals while also injecting the right amount of sentiment. He never pushes the sappy stuff too hard, but it’s strong enough to give you a good feeling. David Berenbaum’s screenplay deserves credit for the straightforward plotting, some damn good jokes and an appropriate level of holiday spiritedness.

Wednesday, October 5, 2011

Our Idiot Brother Movie Review

Paul Rudd is simply wonderful at playing the easy-going  supporting characters. He’s been dramatic, forlorn, hilarious, and steady in films ranging from The Object of My Affection to The 40 Year Old Virgin. Remember what a perfect foil he was for the flaky Phoebe on “Friends”? Years of playing second fiddle in a variety of comedies has finally paid off for him with a recent series of leading roles, most recently as the bearded hippie peacenik Ned in Our Idiot Brother.

Wednesday, April 20, 2011

(500) Days of Summer Movie Review

First published at American Madness on 23 November 2009.
Reposted here without changes.

(500) Days of Summer rests solidly on the strengths of its charismatic leads Joseph Gordon Levitt and Zooey Deschanel, who play Tom Hansen and Summer Finn, co-workers at a greeting card company who find, and then lose, romance. Written by Scott Neustadter and Michael Weber and directed by Marc Webb (known primarily for music videos, but making his feature debut here), it is the perfect, and often honest, answer to the contrived and sappy romantic comedies we see produced far too often in Hollywood.

“This is not a love story,” we’re told at the outset by an omniscient narrator. Although a love story is most certainly what it is. The film begins with the recounting of the happy couple’s breakup. That line is designed to set us up for the fact that the couple will not get back together. Armed with the knowledge of what is ultimately to come on Day 280 (or something) of the titular 500, the story then jumps back to Day 1 and then soldiers on ahead depicting the burgeoning romance between Tom, the romantic who believes in love at first sight and soul mates, and Summer, who doesn’t believe in love (perhaps because she’s never experienced it) and refuses for several months to even admit she is his girlfriend.

Everything I Saw in the 2nd Half of 2025

30 Dec. Hamnet (2025) [cinema]* 28 Dec. #4133 Song Sung Blue (2025) [cinema] 25 Dec. #4132 Marty Supreme (2025) [cinema] 16 Dec. #4131...