In general I try to avoid what other critics have to say
about a film before I see it. Sometimes I have a general idea of the critical
consensus, but in the case of The
Counselor I knew nothing. I was shocked to find that the majority of
critics had ripped it apart. It would have been surprising enough only for the
fact that it was directed by Ridley Scott from an original screenplay by
novelist Cormac McCarthy (his first produced). McCarthy is, after all, one of
the greatest contemporary fiction writers in America. It also features a
phenomenal cast of highly capable actors. Mostly my disbelief registered so
high because I thought The Counselor
was just wonderful, exemplifying the very best of what McCarthy accomplishes in
his novels.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Javier Bardem. Show all posts
Showing posts with label Javier Bardem. Show all posts
Tuesday, December 3, 2013
Saturday, August 31, 2013
To the Wonder Movie Review
“Weak people never bring anything to an end themselves.
They wait for others to do it.”
There’s a reason I have such trouble remembering details
from any of Terrence Malick’s films. He composes them with fleeting touches.
There are no traditional movie scenes involving events or actions coupled with
dialogue. These are the things that are easy to recall: “Remember that scene
when so and so says…?” With Malick the best you get are snapshots that almost
float freeform from one to another. They are like memories of a life
remembered, says star Ben Affleck in one of the DVD extras. Even the one Malick
film I’ve seen more than once, The Thin
Red Line, stands in my memory more as a series of images in no particular
order, but because there’s no real A to Z plot there’s no glue to hold it
together in my mind.
Saturday, November 17, 2012
Skyfall Movie Review: Bond 23
The idea that the James Bond film series needs to be
rebooted doesn’t make a lot of sense. Nearly every film is a reboot because
there’s virtually no continuity between films. Daniel Craig’s first outing as
the superspy 007 in Casino Royale was
a reboot of sorts in the sense that many of the things the Bond series had been
known for were ousted. Neither Miss Moneypenny nor Q made appearances. With Skyfall, Craig’s third turn as Bond, it
becomes clearer that the new series is something akin to a reboot because many
of the old comforts have returned.
Saturday, May 28, 2011
Biutiful Movie Review
Alejandro González Iñárritu’s fourth feature film, Biutiful, is a structural, though not a thematic, departure from his earlier films. In drafting a story (with a screenplay co-written by Armando Bo and Nicolás Giacobone) centered on one main character in a single city, he has wisely eschewed the thematically heavy convention of interconnecting stories that have a common focal point. As much as I admire his other films, there is artificiality in the way he tries to illustrate the ways in which all humanity are inextricably tied to one another. With Babel it became a bit too preachy for my taste.
However, in Biutiful he presents a portrait of a man, Uxbal (played by Javier Bardem in one of his best performances) – a father, husband, underworld criminal and spiritual visionary – who learns he’s dying of cancer. Everything in his life is called into question as he has only a matter of weeks or months to reconcile his morality and life to find inner peace.
Tuesday, October 12, 2010
Woody Allen's Vicky Cristina Barcelona Movie Review
Over the decades Woody Allen has continually returned to the same themes again and again, revisiting them with different characters and settings, always closing his films with a satisfactory resolution, but continuing the ambiguity in his next outing. Chief among these themes has been love, passion and fidelity.
His 2008 film Vicky Cristina Barcelona looks at two sides of the same coin in Vicky (Rebecca Hall), the pragmatist looking for a stable dependable love which she has in her fiancé, Doug, and Cristina (Scarlett Johansson), the impetuous free spirit open to new experiences and more willing to find love in whoever comes along. The two are best friends recently arrived in Barcelona – Vicky studying Catalan identity and Cristina tagging along for adventure. Luckily for them and for the audience Vicky has a family connection to Mark and Judy (Kevin Dunn and Patricia Clarkson), who give them a place to stay in their picturesque villa.
His 2008 film Vicky Cristina Barcelona looks at two sides of the same coin in Vicky (Rebecca Hall), the pragmatist looking for a stable dependable love which she has in her fiancé, Doug, and Cristina (Scarlett Johansson), the impetuous free spirit open to new experiences and more willing to find love in whoever comes along. The two are best friends recently arrived in Barcelona – Vicky studying Catalan identity and Cristina tagging along for adventure. Luckily for them and for the audience Vicky has a family connection to Mark and Judy (Kevin Dunn and Patricia Clarkson), who give them a place to stay in their picturesque villa.
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