Full disclosure: I’m an almost shameless lover of the
Coen brothers. There’s hardly a film they’ve made that I don’t like and with
one exception, I own every one of their films on DVD. That doesn’t mean I’m
blind to the things that don’t work and the films that fail in some very
important aspects. With that said, The
Hudsucker Proxy was always a film I liked for its quirky Coen-ness, but
clearly I wasn’t crazy about it because it took me fourteen years after I got
my first DVD player (and nineteen years after the film was released) to
purchase a copy.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label John Mahoney. Show all posts
Showing posts with label John Mahoney. Show all posts
Saturday, November 2, 2013
Monday, September 2, 2013
25 Years Ago This Month: Eight Men Out Movie Review
John Sayles’ Eight
Men Out, the story of the 1919 Chicago “Black Sox” scandal, is, on the one
hand, an odd outlier compared to the rest of his work, and on the other,
somewhat right in line with his plight of the working man sensibility. I’ve
always been a great admirer of Sayles’ films. I especially enjoy the fact that
he can make films illustrating the challenges of capitalism for laborers
without being preachy or overtly socialist. He’s the more toned down American
version of Ken Loach. In that respect, Eight
Men Out fits right in because his version of the story, which is based on
the book by Eliot Asinof, focuses more on the accused players as put-upon
contracted laborers in thrall to a greedy owner who exploits their talents for
financial gain. But amid his full body of work as writer and director it stands
out as one of only two films he adapted from source material. So while he’s
chosen to focus on the aspects that do appeal to him as a storyteller, the crux
of the film is that it’s a historical sports movie, standing very much apart
from his other work.
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