Swedish director Lukas Moodysson went a little dark after
his light and free-wheeling feature debut Together,
one of my favorite movies from 2001. He came back last year with We Are the Best, another film similar in
tone and just as light on its feet. It’s amazing to see a director as
comfortable dealing with high energy electrifying characters as he is with
moody depression. In his latest he tells an adorable story, adapted from his
wife Coco’s comic book about three young girls in Stockholm in the early eighties
trying to stand out as punks. The punk movement was on its way out by then and
of course girls weren’t supposed to care. But Bobo (Mira Barkhammar) and her
best friend Klara (Mira Grosin) are the school’s outliers, two kids who spike
their short hair and dress alternatively. And they catch hell for it from their
peers.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Lukas Moodysson. Show all posts
Showing posts with label Lukas Moodysson. Show all posts
Wednesday, February 18, 2015
Friday, June 11, 2010
Mammoth Movie Review
Swedish director Lukas Moodysson makes films about the ways people need each other. His newest film, Mammoth, is more specifically about the ways children and parents need each other. Here is a director who is comfortable with vastly different tones while maintaining a similar approach and style. This isn’t as joyous and celebratory as Together and certainly not the depressing nihilism of Lilya 4-Ever, but it falls somewhere in between.
There is something of an Alejandro González Iñárritu influence here, with interconnected action that takes place in three places around the world (New York, Thailand, The Philippines). The casting of Gael García Bernal (star of Iñárritu’s Amores Perros) is perhaps an homage to that influence. Mammoth doesn’t have the heavy-handed serendipity found in the films of Iñárritu, but deals with the interconnectedness of the characters in a more restrained and natural way.
There is something of an Alejandro González Iñárritu influence here, with interconnected action that takes place in three places around the world (New York, Thailand, The Philippines). The casting of Gael García Bernal (star of Iñárritu’s Amores Perros) is perhaps an homage to that influence. Mammoth doesn’t have the heavy-handed serendipity found in the films of Iñárritu, but deals with the interconnectedness of the characters in a more restrained and natural way.
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