There’s hardly a more heartbreaking story of a once great
acting talent becoming a washed-up caricature of bombast and overacting than Al
Pacino. He was such a marvel in the 70’s. He was good-looking with the most
expressive eyes of any actor of his generation. His delivery was subtle and
always perfect. When I look at him now, I don’t even see the same man. His sad
hangdog face obscures the depths that used to reside within. Every now and
then, as in Donnie Brasco, he has
flashes of greatness once again. Some have been giving similar accolades for
his latest, a heartfelt story of redemption called Danny Collins, written and directed by Dan Fogelman.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Christopher Plummer. Show all posts
Showing posts with label Christopher Plummer. Show all posts
Monday, April 27, 2015
Tuesday, April 17, 2012
From My Collection: Inside Man Movie Review
I’m kind of a shameless sucker for heist movies. I love
the team camaraderie and the way the films are usually structured, often
beginning with an opening heist teaser, followed by a gathering of the team
members, the training and planning stages and finally the execution. Spike Lee’s
Inside Man turns a lot of the
conventions of the genre on its head by beginning with the heist and allowing
it to unfold with the audience in the position of the hostages and the police.
We don’t know what the plan is, what they want to steal, or how they plan to
make their escape. Hell, we don’t even know who is involved. It all gets pieced
together slowly over time as the main detective slowly catches on, at which
point it’s too late.
Thursday, January 26, 2012
How Hollywood Condescends to Its Audiences
Here's a really interesting roundtable discussion with several prominent actors who have all been the recipients of year-end awards and nominations for films in 2011. Without the hindrance of a TV audience and the need to be conciliatory for the sake of promoting a film, they give honest opinions and use honest language. We don't often get to see movie stars in this light - just regular people discussing the industry they work in without the gloss. Normally we either get speeches of praise for directors and costars or the occasional YouTube video that reveals how stars sometimes fall to pieces.
Wednesday, January 18, 2012
The Girl With the Dragon Tattoo Movie Review
David Fincher’s The
Girl With the Dragon Tattoo, adapted from Stieg Larsson’s book by
screenwriter Steven Zaillian, is the second such adaptation of the novel, the
first being a Swedish production from two years ago. It represents the growing
trend in Hollywood of taking popular and well-crafted films from overseas and
reshaping them for American audiences. Fincher’s version, which should really
be considered an alternative adaptation of the book more than a remake, is an
expertly made, great looking, moody and atmospheric yet totally conventional
thriller. Which is sort of like having the New York Philharmonic perform a
composition by a middle-schooler with mediocre musical ability. The conductor
is brilliant and his orchestra top-notch, but the music itself insists that we
ask why such talents were wasted in pursuit of something so pedestrian.
Friday, July 29, 2011
Beginners Movie Review
What happens when a gay person feels compelled by the shame of societal norms to remain in the closet for the vast majority of his life? What if that person married and had a child? What would be left behind in the motional wreckage wrought by such a deception? Beginners seeks to explore these questions, not so much in an obvious way, but through the quiet reflections of Oliver (Ewan McGregor), who informs us at the beginning that his father, Hal (Christopher Plummer), came out to him 4 years before dying of cancer at the age of 75.
Monday, September 20, 2010
Pixar's Up Movie Review
You have to wonder just how Pixar Animation Studios manages to churn out hit after hit – and not just money-making successes with highly profitable merchandising tie-ins, but quality animated works that never pander and are always thoughtful, interesting films even for the adults who accompany their children (or even those who just enjoy a well told story).
Wednesday, June 16, 2010
The Last Station Movie Review
Michael Hoffman has directed several films of average quality and The Last Station, written by Hoffman from the novel by Jay Parini, fits right in with his other work which includes such forgettable titles as The Emperor’s Club and Restoration. You’re forgiven if you have little to no memory of these films from 2002 and 1995, respectively.
The Last Station, released last year, earned two Oscar nominations for its stars Helen Mirren and Christopher Plummer. They play Sophia and Leo Tolstoy in the early 20th century, before the Bolshevik Revolution altered Russia forever.Leo, or Lev, as he is lovingly called by family and friends, is nearing the end of his life and is set on establishing his overarching philosophy of socialism, hoping to pass his beliefs on to the next generation.
The Last Station, released last year, earned two Oscar nominations for its stars Helen Mirren and Christopher Plummer. They play Sophia and Leo Tolstoy in the early 20th century, before the Bolshevik Revolution altered Russia forever.Leo, or Lev, as he is lovingly called by family and friends, is nearing the end of his life and is set on establishing his overarching philosophy of socialism, hoping to pass his beliefs on to the next generation.
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